Amazon.co.uk Review
A hit single can be a bit of a mixed blessing for new bands, especially if said song gets you firmly lumped into the "novelty band" category. Such was the case with Weezer, whose runaway hit "Buddy Holly" touched a global nerve upon its release, then got on everyone's nerves after months of radio saturation. However, it did ensure that they sold millions of copies of their self-titled debut. Which is why it's so strange that their second album,
Pinkerton, was soundly ignored. Perhaps it was down to that album's wilfully non-commercial first single, "El Scorcho", which crashed and burned out of the charts at a rate of speed usually reserved for the likes of Gary Barlow. Whatever the reason,
Pinkerton soon disappeared without a trace, which is a shame because it's actually a great album. Whereas
Weezer had the band revelling in their geek rock image,
Pinkerton saw singer / songwriter Rivers Cuomo maturing as a lyricist: From opening track "Tired Of Sex", which rants about the frustrating easiness of groupies, to the New Wave pop of "Getchoo", to the sheer, unadulterated epic genius of "The Good Life", the songs are much more diverse than the
Pixies-influenced bouncey grunge of their debut. With the closing solo acoustic lament of "Butterfly", Rivers Cuomo hints at his mastery of the pop song as an art form, suggesting great things from this reformed geek in the future.
--Robert Burrow
CD Description
The follow up to 1994's 'Weezer' saw the band reconvene after a year's hiatus during which main man Rivers Cuomo returned to finish his degree at Harvard. The album has a slightlydarker and more aggressive tone than its predecessor (aidedby the absence of ex-bassist Matt Sharp who'd left to form The Rentals). However the album still contains powerful melodic hooks, with it's darker side being more prevalent in theless polished production and album's lyrics.