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Track Listings
| 1. Breaking Into Heaven |
| 2. Driving South |
| 3. Ten Storey Love Song |
| 4. Daybreak |
| 5. Your Star Will Shine |
| 6. Straight To The Man |
| 7. Begging You |
| 8. Tightrope |
| 9. Good Times |
| 10. Tears |
| 11. How Do You Sleep |
| 12. Love Spreads |
Product Description
Amazon.co.uk Review
Their debut made them the new Beatles and Stones rolled into one, and Second Coming was five years in the making. Accordingly, the anticipation was immense, and when the product seemed on first listen to be a very long, very protracted Led Zeppelin guitar solo--courtesy of the excessively well-practised John Squire--The Stone Roses convincingly punctured their own myth. Nevertheless, some of Second Coming is quite good: "Breaking Into Heaven" is appealingly pompous, showing that the Roses at least had a handle on the nature of their own import, and better still, had the ability to pull it off. "Love Spreads" and "Ten Storey Love Song" are imbued with the arrogance--and thankfully the tunes--of old. And the rest? Well, if you've ever heard John Squire's next band, The Seahorses, you'll know what to expect. Seldom has the guitar solo been so accomplished, or so dull. --Louis Pattison
CD Description
The title is a joking reference to the messianic anticipation that built up in the years between the Manchester, England rock band's 1989 debut--which Britain's New Musical Express magazine ranked as the greatest album of the '80s--and this 1995 follow-up. It's also a description of the Stone Roses' sound, a sort of second coming of '60s and '70s blues-rock, re-born with a funk beat. Back in '89 it sounded like a revolution, and it was: crossing Led Zeppelin and Bob Dylan with club music, it helped set the template for all British alternative rock to follow, from Blur to the revamped U2. Lenny Kravitz is among the Americans who owes a debt.
SECOND COMING consolidates that sound with a see-sawing mix of hard-rock driving songs--with chunky electric guitar riffs and big beats--and acoustic anthems that immediately sound like they've been on the radio for a dozen years or more. The latter group includes "Ten Storey Love Song", a devotional ballad with a Dylan-esque melody, and "Your Star Will Shine", a psychedelic folk ditty that would have fit on an early Bee Gees album. "Good Times" is one of the big-beat numbers, and although it starts out sounding like a very blue Eric Burdon,it builds into a classic shouted-out blues-rock chorus, thekind on which FM radio thrived in the 1970s. "Tears" follows a Zeppelin-esque arc from acoustic to electric folk. Which, no doubt, is the exact route a lot of hard-rock devotees think any second coming should follow.
Their debut made them the new Beatles and Stones rolled into one, and Second Coming was five years in the making. Accordingly, the anticipation was immense, and when the product seemed on first listen to be a very long, very protracted Led Zeppelin guitar solo--courtesy of the excessively well-practised John Squire--The Stone Roses convincingly punctured their own myth. Nevertheless, some of Second Coming is quite good: "Breaking Into Heaven" is appealingly pompous, showing that the Roses at least had a handle on the nature of their own import, and better still, had the ability to pull it off. "Love Spreads" and "Ten Storey Love Song" are imbued with the arrogance--and thankfully the tunes--of old. And the rest? Well, if you've ever heard John Squire's next band, The Seahorses, you'll know what to expect. Seldom has the guitar solo been so accomplished, or so dull. --Louis Pattison
CD Description
The title is a joking reference to the messianic anticipation that built up in the years between the Manchester, England rock band's 1989 debut--which Britain's New Musical Express magazine ranked as the greatest album of the '80s--and this 1995 follow-up. It's also a description of the Stone Roses' sound, a sort of second coming of '60s and '70s blues-rock, re-born with a funk beat. Back in '89 it sounded like a revolution, and it was: crossing Led Zeppelin and Bob Dylan with club music, it helped set the template for all British alternative rock to follow, from Blur to the revamped U2. Lenny Kravitz is among the Americans who owes a debt.
SECOND COMING consolidates that sound with a see-sawing mix of hard-rock driving songs--with chunky electric guitar riffs and big beats--and acoustic anthems that immediately sound like they've been on the radio for a dozen years or more. The latter group includes "Ten Storey Love Song", a devotional ballad with a Dylan-esque melody, and "Your Star Will Shine", a psychedelic folk ditty that would have fit on an early Bee Gees album. "Good Times" is one of the big-beat numbers, and although it starts out sounding like a very blue Eric Burdon,it builds into a classic shouted-out blues-rock chorus, thekind on which FM radio thrived in the 1970s. "Tears" follows a Zeppelin-esque arc from acoustic to electric folk. Which, no doubt, is the exact route a lot of hard-rock devotees think any second coming should follow.
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What Do Customers Ultimately Buy After Viewing This Item?
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70% buy the item featured on this page: Second Coming £3.98 |
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13% buy The Stone Roses |
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8% buy The Complete Stone Roses £4.98 |
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7% buy The Very Best Of The Stone Roses |
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