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Product details
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Track Listings
| 1. Looking For The Heart Of Saturday Night |
| 2. You've Awakened Something In Me |
| 3. Pattern Of My Lifeline |
| 4. Street Heart Theme |
| 5. Spanish Harlem Incident |
| 6. Fire In The Night |
| 7. Hollywood |
| 8. Street Mama |
| 9. You Are My Star |
| 10. Midtown American Main Street Gang |
| 11. Guitar Queen |
| 12. I Used To Be A Brooklyn Dodger |
| 13. Power Of Love Within |
| 14. Do You Believe In Magic |
| 15. We Don't Talk Anymore |
| 16. Midnight Lover |
| 17. All Quiet On 34th Street |
| 18. Poor Boy |
Product Description
Description
Both of these albums, from 1978 and 1979, respectively, were made with the Streetheart Band, Dion's then-touring outfit. FIRE went unreleased at the time for reasons unaddressed in the CD's liner notes (there aren't any).
Stylistically,the two are pretty much of a piece, although RETURN has a bit of a '70s West Coast studio rock-lite sound (think Linda Ronstadt or the Eagles), while FIRE has mild funk touches and in general attempts to rock out a little more. RETURN has stronger material, by and large; there are excellent covers of Tom Waits' "Looking for the Heart of Saturday Night", andBob Dylan's "Spanish Harlem Incident", both of which suit Dion's jazz-inflected vocals to a tee, while his own "I Used to Be a Brooklyn Dodger" is as fine an ode to a vanished eraas you could wish.
Both of these albums, from 1978 and 1979, respectively, were made with the Streetheart Band, Dion's then-touring outfit. FIRE went unreleased at the time for reasons unaddressed in the CD's liner notes (there aren't any).
Stylistically,the two are pretty much of a piece, although RETURN has a bit of a '70s West Coast studio rock-lite sound (think Linda Ronstadt or the Eagles), while FIRE has mild funk touches and in general attempts to rock out a little more. RETURN has stronger material, by and large; there are excellent covers of Tom Waits' "Looking for the Heart of Saturday Night", andBob Dylan's "Spanish Harlem Incident", both of which suit Dion's jazz-inflected vocals to a tee, while his own "I Used to Be a Brooklyn Dodger" is as fine an ode to a vanished eraas you could wish.
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