I Jonathan ~ Jonathan Richman  (1)
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Not so much To be loved as to Love ~ Jonathan Richman  (2)
£11.99
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You Must Ask the Heart ~ Jonathan Richman |
Surrender to Jonathan ~ Jonathan Richman |
Jonathan Te Vas a Emocionar ~ Jonathan Richman
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Listen to Samples
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| 1. Since She Started To Ride |
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| 2. Reno |
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| 3. You're The One For Me |
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| 4. Your Good Girl's Gonna Go Bad |
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| 5. I Must Be King |
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| 6. You're Crazy For Taking The Bus |
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| 7. Rodeo Wind |
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| 8. Corner Store |
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| 9. Neighbors |
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| 10. Man Walks Among Us |
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| 11. I Can't Stay Mad At You |
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| 12. Satisfied Mind |
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Product Description
Description
JONATHAN GOES COUNTRY is a great idea carried out to perfection from start to finish by Richman's infectious energy. The geeky troubadour is joined by the pride of Springfield, Missouri, The Skeletons. Skeleton members Lou Whitney and D. Clinton Thompson also produced the album, right in their hometown. The set opens with one of seven new Richman numbers, "Since She Started To Ride", a song which, if Nashville weren't such a closed shop, would have made a delightful entry onthe country charts.
It says much about the simple strength of his songs that they easily stroll into country terrain, never sounding anything short of completely natural. The five covers, which Richman, of course, characteristically makes his own, are also a delight. Of particular note are Goffin-King's "I Can't Stay Mad At You" (popularised by Skeeter Davis, and done here as an instrumental), and the closing selection, "Satisfied Mind".
JONATHAN GOES COUNTRY is a great idea carried out to perfection from start to finish by Richman's infectious energy. The geeky troubadour is joined by the pride of Springfield, Missouri, The Skeletons. Skeleton members Lou Whitney and D. Clinton Thompson also produced the album, right in their hometown. The set opens with one of seven new Richman numbers, "Since She Started To Ride", a song which, if Nashville weren't such a closed shop, would have made a delightful entry onthe country charts.
It says much about the simple strength of his songs that they easily stroll into country terrain, never sounding anything short of completely natural. The five covers, which Richman, of course, characteristically makes his own, are also a delight. Of particular note are Goffin-King's "I Can't Stay Mad At You" (popularised by Skeeter Davis, and done here as an instrumental), and the closing selection, "Satisfied Mind".
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