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15 of 16 people found the following review helpful:
5.0 out of 5 stars
Gruesome and spectacular, 24 Mar 2002
There are two ways of dealing with "Lesser Shakespeare". That is to say, there are two ways of dealing with the less famous, arguably less good, Shakespeare plays.One is to produce it apologetically. To essentially say "Hi. Yeah. This is a Shakespeare play. It's not very good, but it's Shakespeare, so it must have *some* value, right? Sorry if you don't like it. We don't much, either". The other is to embrace the play for all it's worth and try to squeeze every last drop out of what it has to offer. And such, it would seem, is the ethic of Julie Taymor. Visually, "Titus" is superb and the casting is practically perfect. To rattle off a whole host of celebrities: Anthony Hopkins gives a world-weary battle-hardened eloquence to the title role, Jessica Lange is energetic and wonderfully evil as Tamora, Lennix plays Aaron with vigour and enthusiasm, Angus MacFadyen portrays Lucius superbly as the noble young soldier, Alan Cumming plays Saturninus with all the camp insanity befitting the part, Laura Fraser plays the part of Lavinia with exact distress and emotion the part needs and, in doing so, proves that she can actually act (which came as something of a surprise), James Frain does well as Bassianus, and Colm Feore, frequently overlooked in reviews, is superb as the noble brother of Titus, Marcus. Sadly, Demetrius and particularly Chiron, played by Matthew Rhys and Jonathan Rhys-Meyers respectively, are less good. Rhys-Meyers seems to have only a vague impression of what his lines actually mean, and thus his interpretation of the part is not great. The text is fairly heavily abridged, but so few people are familiar with the original text that Taymor easily gets away with it. On the whole though, this is a really quite spectacular movie. The interpretation, an abstract merging of modern day objects (motorbikes, guns et cetera) with Roman objects (swords, temples et cetera) works very well. Taymor's choice to embrace the weirdness rather than tone it down to make it more realistic is what makes this movie so brilliant. I look forward to seeing how the Royal Shakespeare Company handles the play.
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