Most Helpful Customer Reviews
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
overlooked Hammer delight, 7 Oct 2004
Hammer was a class act. They gave us great films, with lush attention to settings, costumes and location shooting. They gave you incisive writing, witty dialogue (well, most of the time) and they are unsurpassed for creating atmosphere. They made screen legends out of Lee and Cushing, and brought old horror tells into vivid colour, with plenty of sexy-babes around to please the lads. For some reason, The Reptile, one of their better efforts works, tends to go unnoticed or dismissed. Could it be because of the "creature" was a mere female instead of the tall dashing Lee?Well, now that time has passed, people can rediscover this classy Hammer tale. The Reptile (like the old grade C class The Alligator People) rather lets the cat out of the bag as soon as the title is flashed. However, stick with the tale and enjoy Hammer's gorgeous lensing, and excellent location work. Directed by John Gilling (who directed Lee in Hammer's Pirated of Blood River and a pairing of Lee and Cushing in The Gorgon - two other overlook great films) and written by Anthony Hinds, who pens such other stylish Hammer classics (The Brides of Dracula, the Curse of the Werewolf, Kiss of the Vampire), The Reptile is a moody film. Ray Barrett and Jennifer Daniel play Harry George Spalding and his wife Valerie, a young couple who inherits the husband's cottage in Cornwall, England after his uncle's mysterious death. Michael Ripper, the perpetual also ran of Horror, does a fine character role as the tavern owner who helps them. No sooner than they unpack, they learn a serial killer has been murdering villagers and likely killed Harry's uncle. The film suffers from the obvious, we know there is a Reptile, so the impact is blunted from the start. Shot back-to-back with the Plague of the Zombies, if you are familiar with one film, and watch the other, you will recognise the same village for the shoot. It builds suspense in an understated fashion, creating really spooky atmosphere. I think this leisurely pace causing some to dismiss this worthwhile film, while those with a more discerning taste will enjoy the non-hysterical approach.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Another Great Film In The Hammer House Of Horror Series!, 28 Mar 2004
The thing about all the Hammer House of Horrors films, they all keep you guessing at the reason for the strange deaths or whatever is happening, and you aren't told until the very llast few scenes what has actually happened. Although this can get a bit annoying at times, generally it's a good way to present a film, and with this one is no acception, running pretty much like a murder mystery thriller.When a man is mysteriously found dead his brother and his new wife come to live in his old house. They find that the town is very stange and there are whole load of other mysterious deaths, just like the mans brothers'. Along with the owner of the local pub, he is determined to find out the cause. The acting in this film is pretty good all round really. Noel Willman is especially sinister (and rather scary) as Dr. Franklyn, while Ray Barrett and Jennifer Daniel play the troubled young couple who live in the cottage on the moor. Overall this brilliantly directed film, while not as scary as some others in the Hammer House Of Horrors series is still very entertaining, and will appeal to horror fans and film fans alike. Definately a film to watch at night with the lights turned off.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
atmospheric little offering., 17 Nov 2003
Away from the well-known Dracula and Frankenstein series that the Hammer studios made, there is also a raft of much rarer offerings which are well worth any vintage horror buff seeking out. "The Reptile" is one of two films Hammer made that were set in a small Cornish village, the other being "Plague Of The Zombies". Both were shot back-to-back using exactly the same sets."The Reptile" is about a man who inherits his brother's cottage, stuck up on the Cornish moors, after his brother is mysteriously killed in the village. He arrives there with his young bride to take possession of the cottage, and also to uncover the truth about his brother's death. There he comes up against a wall of silence and suspicion from villagers, who are plainly living in fear against some unknown terror that is killing people in their midst. The waters are muddied further by an enigmatic doctor, newly back from his travels in the Far East, who exerts a chilling possessiveness over his strange and beautiful daughter. This is a very atmospheric little number, with strange voices being heard out on the moors, and people dropping dead in foaming fits. John Laurie puts in an exuberant turn as the village idiot, and Michael Ripper, a veteran Hammer actor, is good as an old sea-dog turned publican. The unique, strangely-supernatural feel of rural Cornwall is brought effectively to life in this film.
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