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35 of 35 people found the following review helpful:
4.0 out of 5 stars
An exploration of the Architecture of Cesar Manrique, 22 Aug 2001
Cesar Manrique must be one of the 20th century's most influential and multi-talented artists. That's a bold statement. Travel to Lanzarote, one of the Canary Isles, a Spanish territory west of North Africa and his influence is everywhere. He didn't want this extraordinary beautiful volcanic landscape ruined by tourist development. He achieved this not by preventing tourism or development but by persuading local government and populace of the merit of his views. For example, he was instrumental in getting a local law preventing building higher than 3 stories. He has helped transform this bleak landscape of black ash and lava into a "must see" for the traveller. Not for him the dead hand of the planning officer, devoid of vision and imagination but integrating the needs of man into the environment to create beauty not monotony or ugliness.He made a massive personal commitment to the island; countless traffic islands are distinguished by his colourful cubist and sometimes mechanical modern sculptures. Manrique was not a sculptor, a painter, an architect or a town planner, he was an artist and he applied his art to all he did, including those disciplines. He is responsible for some extraordinary architecture, modern and yet blending with the natural landscape. In the same way as the castle on Lindisfarne in Northumberland UK seems a natural extension of the rock without which the landscape would be unfinished, so is Jameos del Agua, Mirador del Rio and the main subject of this book, his house. His house. The word conjures an image of four walls and a roof. How wrong. The plan looks more like that of a futuristic space vessel. The house integrates into the volcanic landscape. While using the traditional white painted building style of the region he also exploits the lava bubbles beneath the ground to form a series of interconnected living spaces. Many feature an opening to the sky, one has a palm tree growing up through the centre of the "room" emerging above ground. Another is home to a small swimming pool with a bridge of lava (featured on the book-cover). Nor are the surface-level buildings conventional. No room is without some reference to the landscape; one delightful feature is a window through which the lava appears to have flowed into the room. The book includes a short biography, a description and lavish colour photographs of the house. Buy the book but be warned, you will want to visit the house as a result - and it's worth it. Though not on the same scale, the house imbues one with the reverential atmosphere of a great cathedral.
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