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The End of Celluloid: Film Futures in the Digital Age
 
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The End of Celluloid: Film Futures in the Digital Age (Paperback)

by Matt Hanson (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Paperback: 176 pages
  • Publisher: RotoVision (30 April 2004)
  • Language English
  • ISBN-10: 2880467837
  • ISBN-13: 978-2880467838
  • Product Dimensions: 25.6 x 22.8 x 1.8 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 174,688 in Books (See Bestsellers in Books)

    Popular in these categories:

    #17 in  Books > Study Books > Undergraduate & Postgraduate > Arts & Humanities > Photography, Film, Video & Animation > Digital Video
    #95 in  Books > Music, Stage & Screen > Film > Production & Technology > Computers & Film
  • See Complete Table of Contents

Product Description

Book Description

A book that charts a journey across cinematic boundaries. Across filmed and imagined digital spaces, between the layers of fact and fiction from moving imagemakers redefining the rules of film. THE END OF CELLULOID is a book that will change the way you see film. Arguing that filmmaking is being superseded by a spectrum of moving image, it extends the range of what we think of as filmmaking. It explores the latest in digital film and new forms of 'advanced moving image', highlighting the most exciting and innovative examples of this entertainment.
It includes commentary on highly regarded filmmakers and those starting to make an impact who are influencing this next generation of filmmaking. The book presents an insight into these new styles infiltrating the mainstream, taking in film, animation, FMV and machinima (computer gaming animations), digital tv, pop promos, websites, PDA and PVP devices.

Moving imagemakers from all disciplines are redefining the rules of film.
The End of Celluloid features works by artists including: Jonas Åkerlund (Spun), Roger Avary (Rules of Attraction), Matthew Barney (The Cremaster Cycle), Danny Boyle (28 Days Later), Chris Cunningham (Flex, Windowlicker), Mike Figgis (Hotel, Timecode), Grant Gee (Meeting People is Easy), Lars von Trier (Idioterne), Peter Greenaway (The Tulse Luper Suitcases), Hideo Kojima (Metal Gear Solid series), David Lynch (Rabbits, The Third Place), Koji Morimoto (Noiseman Sound Insect), Hideo Nakata (Ringu), Marc Evans (My Little Eye), Mark Neale (No Maps for these Territories), Mamoru Oshii (Avalon), Bill Viola (The Greeting, The Passions), Kieron Evans (Finisterre), Kinematic (9-11 Survivor), Shynola (Radiohead blips & music videos), Andy & Larry Wachowski (Animatrix, The Matrix trilogy).



About the Author

Matt Hanson is an authority on digital film and contemporary trends in moving image, named as an ‘international film visionary’ by Screen International magazine. In 1996, he created the UK digital film festival onedotzero: 'Probably the most influential film festival of the early 21st century' (The Guardian newspaper, UK). He currently runs V.I.A., based in Brighton, UK, which creates pioneering moving image projects. He has produced numerous digital films, tv series and hybrid VJ/live film performances.

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3 of 3 people found the following review helpful:
5.0 out of 5 stars Stunning and fascinating, 19 Nov 2004
By Mr. Nicholas Hopkins "GLG" (London UK) - See all my reviews
(REAL NAME)   
From beginning to end its a treat and really ties together the themes in a way that makes you think about what you are watching playing. Quality
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