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Out of the Void: The Primal Scream Story
 
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Out of the Void: The Primal Scream Story (Paperback)
by Brendan Yates (Author)
5.0 out of 5 stars 2 customer reviews (2 customer reviews)
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Product details
  • Paperback: 262 pages
  • Publisher: Empire Publications (1 Sep 2003)
  • Language English
  • ISBN-10: 1901746364
  • ISBN-13: 978-1901746365
  • Product Dimensions: 21.2 x 13.8 x 1.8 cm
  • Average Customer Review: 5.0 out of 5 stars (2 customer reviews)
  • Amazon.co.uk Sales Rank: 474,484 in Books (See Bestsellers in Books)
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Product Description
Book Description
Few bands have persevered like Primal Scream. From leather-clad indie icons to electro punk rockers, they have frequently appealed to and surprised their followers in equal measure since their chaotic beginnings in the mid '80's. In an era of manufactured pop, Primal Scream remain relevant and controversial and, unlike many of their peers, have the confidence and ability to switch easily between musical styles whilst retaining a togetherness that's seen them through the highs and lows of an amazing two decade career.
They began life in Glasgow playing sweet '60's style pop and vulgar Stones inspired glam. Yet they appalled many of their fans by indulging in the nascent acid house movement of the late 80's. Their resulting third album, 'Screamadelica', is now looked upon as a landmark era-defining record that's been dubbed "The E generation's Sergeant Pepper." The success of singles like 'Loaded', 'Movin' On Up' and 'Rocks' ensured their place in the pantheon of street bands that invaded the charts in the early '90's, while the accompanying live performances were a fascinating and cleansing mix of music, drugs and good times.
Yet, as with their previous incarnations, Primal Scream were not prepared to stand still. By the turn of the millennium the band launched into a style imaginatively referred to as 'disco punk' and performed some of the greatest shows of their career, cementing their reputation with both fans and critics as stylish and composed innovators.

Throughout, the band's figurehead Bobby Gillespie has maintained a regular presence in the music press. His ability to switch between opinions on subjects as diverse as music, world politics, racism and drugs has provided a welcome contrast from many of today's contrived stars and this lucidity has made him one of music journalism's best friends and most fascinating characters.

Synopsis
Few bands have persevered like Primal Scream. From leather-clad indie icons to electro punk rockers, they have frequently appealed to and surprised their followers in equal measure since their chaotic beginnings in the mid '80's. In an era of manufactured pop, Primal Scream remain relevant and controversial and, unlike many of their peers, have the confidence and ability to switch easily between musical styles whilst retaining a togetherness that's seen them through the highs and lows of an amazing two decade career. They began life in Glasgow playing sweet '60's style pop and vulgar Stones inspired glam. Yet they appalled many of their fans by indulging in the nascent acid house movement of the late 80's. Their resulting third album, 'Screamadelica', is now looked upon as a landmark era-defining record that's been dubbed 'The E generation's Sergeant Pepper'. The success of singles like 'Loaded', 'Movin' On Up' and 'Rocks' ensured their place in the pantheon of street bands that invaded the charts in the early '90's, while the accompanying live performances were a fascinating and cleansing mix of music, drugs and good times. But, as with their previous incarnations, Primal Scream were not prepared to stand still. By the turn of the millennium the band launched into a style imaginatively referred to as 'disco punk' and performed some of the greatest shows of their career, cementing their reputation with both fans and critics as stylish and composed innovators. Throughout, the band's figurehead Bobby Gillespie has maintained a regular presence in the music press. His ability to switch between opinions on subjects as diverse as music, world politics, racism and drugs has provided a welcome contrast from many of today's contrived stars and this lucidity has made him one of music journalism's best friends and most fascinating characters. 'Out of the Void' is the story of one of the most influential and often misunderstood British bands of the last 20 years. Author Brendan Yates looks back at their many incarnations, including Gillespie's journey through celebrated post-punk brats The Jesus And Mary Chain, his bands' relationship with numerous producers and their importance to the legacy of the now legendary Creation Records label.


 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars A thrilling trip through a thrilling career, 9 Dec 2003
Great book about a great band - proof of this lies in the fact that they continue to appall their following, as if living proof of the punk ethic. This book deals with their career in a surprisingly sober manner, divorced from the potential for hangeronism that lets down other rock bios. Brendan Yates has written a definitive account of this influential band.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars a real page turner, 26 April 2004
By scream fan (New York, brooklyn) - See all my reviews
I picked this book up in the store and before I knew it I was nearly achapter gone. It is so readable and fast paced. Brendan Yates writes in avery to the point manner covering Primal Scream's journey from indie musicpress favourites to old heads of the alternative British scene, andactually seems able to log all of the line up changes in the band over theyears. Overall a fun book that covers all the ground that's needed withoutappearing slight or boring in any way.
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