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Vigor Mortis: From Fear to Fashion - Discarding the Death Taboo
 
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Vigor Mortis: From Fear to Fashion - Discarding the Death Taboo (Hardcover)

by Kate Berridge (Author)
4.0 out of 5 stars See all reviews (3 customer reviews)

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Product details

  • Hardcover: 256 pages
  • Publisher: Profile Books Ltd (31 Aug 2001)
  • Language English
  • ISBN-10: 186197177X
  • ISBN-13: 978-1861971777
  • Average Customer Review: 4.0 out of 5 stars See all reviews (3 customer reviews)
  • Amazon.co.uk Sales Rank: 846,255 in Books (See Bestsellers in Books)

Product Description

Amazon.co.uk Review
Vigor Mortis--witty, insightful and frequently surprising, tracks changing British attitudes to death and contains hundreds of interesting facts. Did you know for example that in Victorian times, children and babies had to strictly observe mourning protocol, even for distant relatives? And that children were sternly advised to "die well", i.e., stoically and without making a fuss, in sermonising magazine articles and illustrative stories? Kate Berridge examines our often ambivalent and irrational behaviour when it comes to dealing with death and the historical factors that have shaped our social mores. The Great War was a huge watershed in that mourning dress became discouraged because it would have been too damaging to national morale to see such stark visual representation of how badly our troops were faring. Freud wrote in 1915 "We can no longer maintain our former attitude to death and yet have not found a new one". The shifting focus from spiritual to material has raised our fear of death to all-time neurotic highs and yet the subject is in many ways more taboo than it has ever been. Berridge examines the strange phenomenon that such repression throws up: the mass grieving for princess Diana with her funeral a cathartic channel for personal losses, and "death as the new sex" with its dark and dangerous allure a staple thrill-factor for ad and image makers. Death is the subject to end all subjects and one that many of us would rather not contemplate. But Vigor Mortis deserves readers not simply because it appeals to our sense of morbid fascination but because it shows us how even our most private biological moments are governed by our place in history. It puts death in its place: dragging it out of the dusty back room of our consciousness and into the light and, in making us laugh, banishes a few bogeymen into the bargain. --Rebecca Johnson

Product Description
Examines the history of the rituals of death, and the different ways the dead are treated around the world.

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Average Customer Review
4.0 out of 5 stars (3 customer reviews)
 
 
 
 
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1 of 2 people found the following review helpful:
4.0 out of 5 stars A Dead Good Book!, 19 Nov 2002
This highly original and thought-provoking book is quite unlike anything else I have read this year. The wealth of detail is impressive, and Kate Berridge displays a refreshingly open and honest attitude towards what she argues is a ridiculously taboo subject.

I particularly enjoyed the chapters Death and the Salesmen, where the reader is treated to a rich history of funeral customs right up to the present day, and Esprit de Corpse, where Berridge details some of the most individual and original funerals you can imagine.

Definitely a must for anyone who is interested in the subject.

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5.0 out of 5 stars Absolutely Brilliant., 28 Mar 2006
By A Customer
This is a wonderful book and I thoroughly recommend it. It covers how (and more importantly why) things have changed over the last century - our attitudes to death and funerals. It has wonderful sentences that stick in your mind for you to think about until another jewel appears on the next page! Highly recommended.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars Great catalogue, but lacking insight, 9 Jan 2007
By S. Bailey "will work for books" (London) - See all my reviews
(REAL NAME)      
From the rise of the Victorian rituals celebrating death, through the burial of death beneath sex in the sixties, to the new fin de siècle "pornography of death", this is an intriguing and encyclopaedic look at the way the western world's view of death changed throughout the twentieth century.

The organisation of the book is thematic, rather than chronological. While this undoubtedly suits Berridge's informal style and frequently anecdotal evidence, I can't help feeling that at times, it allowed much interesting material and consideration to slip between the cracks. Foremost amongst this was the story of her father, a First World War hero, to which she alluded in various places throughout the book, but whose story was never quite told in full. Even in the 'No More Heroes Any More' section, concerning the changes wrought by the Great War in mourning dress and other customs, we lacked any real insight into the psychology of those who returned from the battlefields and wanted only to forget.

The other pivotal point in the century, which pushed us as a society back to recognising death's place amongst us was the death in 1997 of Diana Princess of Wales. This section was certainly longer; with Diana's death still featuring at least weekly in the British tabloid press, it could hardly have been otherwise. Berridge draws numerous interesting parallels between the events of 1997 and the death of Princess Charlotte in 1817: and while it is amusing for those of us who cringed at The Sun's headline "SPEAK TO US, MA'AM" to see that public comments were also in demand 170 years earlier, what is sadly lacking is any explanation of just why Diana's death hit this country and the world so hard.

I could go on. The death industry has been turned over to big business, but lately more people are demanding freedom of choice and 'alternative' rites. The internet, with coffins to be purchased online and 'memorial' sites to the dead, is changing the funerary landscape forever. Berridge exhaustively catalogues all of these things, but her book sadly seems to lack any thought for the reasons behind the changes of the last century. Sadly, it's an opportunity missed.

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