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Product Description
Product Description
Brought together for the first time, these writings by visual artist and writer Yve Lomax are united by a common thread: they place writing itself--the written image--into the repertoire of visual art. The book both proposes and demonstrates this development. It also has a twofold purpose and function: it can be read and enjoyed as performance, often resembling poetry, thick with ideas, images and metaphors. It is also an original contribution to theoretical writing on the visual, particularly relating to the image and difference, celebrating and referring to the work of Michel Serres, Gilles Deleuze, Luce Irigaray and others in pursuit of its own strategy of introducing the written image into the theoretical text.
Synopsis
A collection of writings by artist and writer Yve Lomax. The common thread binding each piece together is their placing of writing itself into the repertoire of visual art. The book has a twofold purpose and function: it can be read and enjoyed as performance and it is also a contribution to theoretical writing on the visual.
Brought together for the first time, these writings by visual artist and writer Yve Lomax are united by a common thread: they place writing itself--the written image--into the repertoire of visual art. The book both proposes and demonstrates this development. It also has a twofold purpose and function: it can be read and enjoyed as performance, often resembling poetry, thick with ideas, images and metaphors. It is also an original contribution to theoretical writing on the visual, particularly relating to the image and difference, celebrating and referring to the work of Michel Serres, Gilles Deleuze, Luce Irigaray and others in pursuit of its own strategy of introducing the written image into the theoretical text.
Synopsis
A collection of writings by artist and writer Yve Lomax. The common thread binding each piece together is their placing of writing itself into the repertoire of visual art. The book has a twofold purpose and function: it can be read and enjoyed as performance and it is also a contribution to theoretical writing on the visual.
Inside This Book
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First Sentence
She had acted out for long enough inside those four corners: frame, home, tableau or scene. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
She had acted out for long enough inside those four corners: frame, home, tableau or scene. Read the first page
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Concordance
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover