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Georges Perec: A Life in Words (Harvill Press Editions)
 
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Georges Perec: A Life in Words (Harvill Press Editions) (Paperback)
by David Bellos (Author)
5.0 out of 5 stars  (2 customer reviews)

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7 used & new available from £18.00
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Product details
  • Paperback: 832 pages
  • Publisher: The Harvill Press; New Ed edition (29 April 1999)
  • Language English
  • ISBN-10: 1860466362
  • ISBN-13: 978-1860466366
  • Product Dimensions: 21.8 x 14.8 x 4.8 cm
  • Average Customer Review: 5.0 out of 5 stars  (2 customer reviews)
  • Amazon.co.uk Sales Rank: 590,010 in Books (See Bestsellers in Books)
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  • Other Editions: Hardcover (American Ed) |  Paperback (New Ed) |  All Editions


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Product Description
Amazon.co.uk Review
Georges Perec was one of the finest writers of the 20th century and yet his work remains relatively obscure. He is probably best known for Life: A User's Manual a book he dedicated to his fellow avant- gardist Raymond Queneau (who, along with Harry Matthews, Italo Calvino, Perec and others, was a member of OuLiPo-- an important group of experimental writers and mathematicians). He wrote the wonderful lipogram A Void a book in which the letter "e" never appears and the world's longest palindrome (in the form of a two-and-a- half page story.) He is seen by many as a true literary genius. Bellos traces the sadness behind Perec's prodigious wordplay, his confused and tragic lineage (including his mother's demise in the death camps), his entry on to the literary scene with the anti-materialist Things, his Jewish (non-)identity. Without Bellos's translations Perec would probably have remained unknown outside of France. Without this readable, compelling, exhaustive biography his often autobiographical, highly structured fiction would be far less approachable. Georges Perec: a Life in Words is a fitting testimony to a writer we should all know better. --Mark Thwaite

Synopsis
A biography of Georges Perec, one of France's great 20th-century writers, who drew both on his Jewish cultural heritage and "l'esprit gaulois", with its undercurrent of subtle mockery and non-conformism.

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