Amazon.co.uk Review
In his fifth SF novel, the versatile Paul McAuley turns from outer space to alternate history and a 16th-century Florence where many of the strange, wonderful devices sketched in the notebooks of the "Great Engineer", Leonardo da Vinci, have been built and made to work. The skies of Italy are darkened with sulphurous smog from Industrial Revolution factories, crude engines throb loudly everywhere, and steam-powered automobiles chug along the streets. Young artist Pasquale--threatened like other painters by Leonardo's latest invention of photography-- finds himself working hand in glove with cynical journalist Niccolo Machiavegli on the investigation of a locked-room murder which is one small symptom of the corruption at the heart of this transformed Florence. Michelangelo, Raphael, Aretino, Copernicus and other historical notables are entangled in events, while ancient Leonardo's now ageing toy-boy Salai plays a sinister part. War with Spain looms, and one particular creation of the Engineer must be kept out of enemy hands. This rearranged history is plausibly and cleverly developed, climaxing with a set-piece assault on the mansion of a supposed magician, using some eccentric state-of-the-art war machines. But Pasquale's art is more important to him than any technology, and McAuley persuades us to sympathize with his private goals. A satisfying read. --
David Langford
Product Description
Florence in the year 1518 is riven by scientific and sociological change caused b the wonderful devices of the Great Engineer, Leonardo da Vinci. Now he is old and lives as a recluse working behind the walls of his castle. The Raphaelites, artists and anti-technologists led by Raphael of Urbino, call for his excommunication. Pasquale di Cione fiesole, an apprentice painter witnesses an assassination attempt on Raphael at a Cathedral service. The weapon falls into his hands, and he is soon on the run from engineers and artists, desperate to prove his innocence.
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