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The Lost Land
 
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The Lost Land (Paperback)

by Eavan Boland (Author)
3.5 out of 5 stars  See all reviews (2 customer reviews)

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Product details

  • Paperback: 58 pages
  • Publisher: Carcanet Press Ltd (10 Sep 1998)
  • Language English
  • ISBN-10: 1857543807
  • ISBN-13: 978-1857543803
  • Product Dimensions: 20.8 x 13 x 0.6 cm
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 480,836 in Books (See Bestsellers in Books)

Product Description

Product Description

This collection of poetry is in two parts. The first is a sequence entitled "Colony", exploring the theme of Irish language and culture. The second part is a set of individual poems which open out from autobiography into a sense of larger belonging.

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Average Customer Review
3.5 out of 5 stars (2 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Study of a poet finding her voice, 27 Nov 2001
Eavan Boland has moved from the margins of the literary world into far less twilight regions. The effect on her poetry has been mixed, but this collection probably represents the best meeting between her early, slightly unfocussed passion and her later, sharper works. My own preference in this bisected book is towards the later poems such as 'Heroic' and 'Happiness'. These deal with the themes that Boland has been interested in all her life, those of language and history, nation and gender, but they do it in a way that shows a far greater grasp of the complexities involved than a poem such as 'Unheroic' which lapses, at times, into easy sentimentality. Her language and command of structure are also more advanced, bringing across her concerns with more subtlety, with the result that they are far more impressive works which justify intense and repeated readings.
The way in which this collection has been put togther makes it a very good introduction to the poetic work of Eavan Boland.
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1 of 2 people found the following review helpful:
3.0 out of 5 stars politically correct?, 4 Mar 2002
By A Customer
I was disappointed by this book, which I came to with little knowledge of the author's other writings, but which I bought freely and at full price in a non-virtual bookshop.

It is not that the writing is at fault; rather that there is a terrible worthiness about the sentiments expressed, at least where history is concerned (the more personal and autobiographical poems are better, and are often genuinely moving). Themes such as country house burning and the First World War are tiptoed up to, and it is all very sad, and we all bear the wounds, etc. etc. If anything, it all seems rather comfortable, safe for reading in schools, and so on. If there is an English equivalent, it is in the way people like to think about the Second World War. Wasn't it sad? And wasn't it awful?

Too much of this stuff soon becomes an excuse for
averting the eyes from the present day. It reminded this reviewer (London based, Ulster Catholic ancestry) of the most striking thing about the population of Dublin when seen by an outsider - namely, how many of them were non-white. Are their children taught in school about how the Irish language has been taken from them, that the wound remains, etc. etc.? Or has the world and its woundings moved on?

Of course I don't want to flatten poetry into a mere silhouette of politics, but it was the poet's decision to be political...

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