Cat's Eye (Paperback)

Attwood's use of stream of consciousness may confuse an unwary reader. However don't be put off. Attwood reminds us from the outset that time is not a line but more like a pool of water into which our memory dips a hand from time to time. In fact this method of writing is aptly suited to Elaine's journey through the infulences and relationships which explain the woman she has become.

It would be impossible for anyone to read this book as a story. It is a series of memories. The backdrop to our journey is set in the present where Elaine, our navigator, is being 'honoured' with a retrospective of her artwork in a small gallery Toronto, the city of her upbringing. By way of a parallel to this Attwood gives us glimpses of Elaine's life in retrospective showing how each of the pivitol moments in her life have shaped her ability to interact with her environment and with those around herm, both men and women. To emphasise this point Attwood has dispensed with the uniform chapter titles and numbers. Instead there are numerous sporadic switches between the past and present, each of which is segmented under what could be the titles of paintings/artwork, the pictures of which we are encouraged to form in our own minds as we experience the world through Elaine's senses.

In particular Elaine centres on the influence of Cordelia her childhood 'friend' around whom her early attempts at stability were centred. Before coming to Toronto, the world Elaine knew was that of a wanderer, travelling from place to place with her Professor father, a scientist. The permanent life in Toronto introduces her to the lives and relationships of other girls her age and so she cements herself, nervously at first, into a group of girls. Then she is changed forever by the arrival of another girl, Cordelia who haunts her throughout the book. Although by defenition, Cordelia is not a physical bully, she exerts an influence on Elaine which will hold her forever. It is this relationship with Cordelia which has left her emotionally stunted until now as she grapples to lay her emotional ghosts to rest.

The subtlety of Attwood's expression is evident from the beginning. In particular the representation of Elaine as an artist and Attwood's manipulation of Elaine's view of the world are manifest in the quality description of Elaine's world. We are smothered by the colours, textures and feelings which surround Elaine, both in the physical world and in her own mind. But Attwood manages never to overstress the technique. Above all this book is about subtlety, what goes on behind the physical in Elaine's one true and constant world, her own mind.

This book is not exciting, never a whirlwind of action. But it is an enthrawling journey on which the reader is compelled to follow. It will bring back memories you never thought you had and remind you that it does not matter how we may change in our adult lives, it is our past which pursues us and which we ultimately must learn to control else it will ultimately consume us.

A thoroughly enjoyable work.