Most Helpful Customer Reviews
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Apex Reveals the Hurt, 5 Jul 2006
The (unnamed) protagonist of Colson Whitehead's Apex: Hides the Hurt is a `nomenclature consultant' - someone paid to come up with names for companies and products. This is a profession I had never imagined could exist but, depressingly, I suspect it does and there really are people out there making their fortune coming up with names for a new kind of biscuit... or car... or even, in the case of Whitehead's tale, a new name for a town. Winthrop is a town that requires a revamp, and our names expert is sent as an impartial adjudicator to decide on the best new appellation for this average, middle-American settlement. Winthrop turns out to be purgatory for the disaffected nomenclature consultant who is best known in the industry for naming a sticking plaster. Apex® sticking plasters come in different skin tones, thus one can effectively `hide the hurt', but the crux of this book is that the truth will out; pain cannot be hidden, and here, in Winthrop, the nomenclature consultant starts to come to terms with his personal pain, his self-suspected vapidity and his own bizarre loss.
Whitehead's prose has a punchy strength, a timing and a rhythm which gives it a really cool edge. This book made me laugh out loud and, at one point wince in sympathy at the character's pain. There is craftsmanship in his writing combined with a perceptiveness that left me, in my own little way, reconsidering the meaning and value of every noun around.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
What's in a name? That which we call a rose, 12 April 2006
By any other word would smell as sweet." That sentiment may very well be appropriate for Shakespeare's Juliet but not for the protagonist of Colson Whitehead's new novel "Apex Hides the Hurt". Names are everything to this `nomenclature consultant', who ironically enough remains nameless throughout, who has a preternatural ability to name or rename products in a way that will generate sales. In a word in which `form' or flash is everything and `function' or utility is of only secondary importance the ability to create a hot brand through the use of the right name is a most useful asset. The man with no name is a star in the world of nomenclature consultants. His re-branding of a company that makes poorly constructed bandages (a minnow compared to the huge "Band-Aid" brand) results in the commercial revitalization of the company. The company makes a variety of flesh color bandages with various tones shipped on the basis of the predominant ethnicity of a zip code. Because one can barely see the bandage because of its skin tone match the slogan "Apex Hides the Hurt" is a tremendous success. Not so successful is the man with no name's inner and outter life. An injury to his toe causes an infection, one which an Apex bandage hid for far too long. He leaves his job and takes up the life of a hermit, albeit in a nice Manhattan apartment. As the story develops we see that the injury to his toe may just be indicative of another hurt, one that is hidden by something other than a bandage. He is lured out of retirement to rename the town of Winthrop. The town of Winthrop is something of a place located at the intersection of American race relations. It was originally settled shortly after the Civil War by a group of freed slaves and named Freedom. Its name was changed to Winthrop after a white settler who created a successful barbed wire company managed to talk one of the two (African-American) town leaders to agree on a name change. Now, 140 years later the town is being pressured to change its name once again. A new age entrepreneur (think of a mix of Bill Gates and self-help guru Tony Robbins) want to change the town's name from Winthrop to New Prospera. The man with no name travels to Winthrop and wanders from the New Prospera faction, the remaining Winthrop heir, and the African-American descendants of the town's founders. As the story unfolds the story of the town of Winthrop and a bit of the inner life of the man with no name are revealed. Earlier reviewers have indicated that Apex Hides the Hurt suffers from some inadequate character development. I believe that to be a fair critique and not something I would argue with. However, after having read and enjoyed Whitehead's "Intuitionist" and "John Henry Days" I did not open the book looking for character development. The emotional core of Whitehead's earlier works is the interior life of its protagonists. In both "The Intuitionist" and "John Henry Days" Colson provides the reader with a successful person of color experiencing a great deal of painful self-examination as they move through a world that does not `hide the hurt' it inflicts on designated outsiders. "Apex Hides the Hurt" was just what I expected. Its focus was on the man with no name, a man who names things and knows the value of names and who also knows how names can hide the hurt or expose a truth. Whitehead does not diagram things for his readers. He does not tell the reader what to think of the story nor does he feel the need to explain his use of imagery. The imagery and meaning running discussion of the protagonist's toe injury, the magnitude of what the Apex bandage hid under its flesh-toned gauze, is not spelled out for the reader. I find it satisfying and enjoyable when an author simply writes and expects the reader to find his or her own meaning and that is one reason I remain a fan of Whitehead's work. As noted by others, if you are looking for a book rich in character development "Apex Hides the Hurt" may not be to your taste. However, if you are looking for a book that explores the thought processes of someone who is marginally alienated from mainstream society while being quite successful in working in that system, I think you will enjoy "Apex Hides the Hurt".
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Colson's latest triumph, 27 Jul 2006
Apex Hides the Hurt is the latest chapter in Colson Whitehead's impressive and expanding fictional canon. Having keenly read his previous novels, The Intuitionist and John Henry Days, I was interested to see what he would do next, and he doesn't disappoint, living up to his burgeoning reputation as one of America's most promising literary talents. The book is built around an unnamed protagonist referred to throughout in the third-person, not the first, as would convention would dictate, a challenge he pulls off with gusto. The character works as a 'nomenclature consultant': someone who invents names for products. This person is put in charge of coming up with a new name for the old town of Winthrop, and discovers this to be a different ball-game to his previous work, which reads, at the novel's opening, like an 80s masculine power-fantasy - lots of high-fives and so. His job now throws up deeper issues, since the town's existing name is tied up in the whole history of the town, which cannot be erased as easily as a badly chosen product name. This leads the protagonist to questions of identity, history, race and memory, which apply as much to himself as to the town (we are given flashbacks of his previous career). The novel is written in bold, dynamic prose, with big colourful characters, which Colson obviously has fun playing with, and the journey he takes the reader on is packed with humorous moments, while also involving deep questions which are more profound than just brand names, summoning up thought-provoking issues of the complex relations between names and identity.
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