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2 of 6 people found the following review helpful:
4.0 out of 5 stars
bittersweet comings and goings, 15 Aug 2005
The characters move in and out of each other's bubble-like worlds, and we can only sit by watching helplessly. It is easy to identify with the defensiveness and awkwardness, cynicism and sarcasm, hopefulness and utter resignation of the inhabitants of this ultimately lonely urban landscape. The voyeuristic nature of this book is what is both compelling and frustrating. We see these people through the windows of hotel rooms, bars, even computer monitors. We see them, we may even be them, yet the bubbles that surround them are so air-tight that even we, the readers, cannot penetrate them. We identify deeply, but are deliberately distanced from their suffering. This is the quality that merits one less star in this rating. Morrison paints pain for us, but doesn't allow us to live it. Perhaps the author did this to spare us the discomfort we would feel if we could connect more deeply with his creations. My sense is, however, that he cannot, as a new writer, go deeper yet. He should trust to let it unfold naturally. Too much is stated to us directly, maybe for fear we wont see it on its own. The suffering in his book is placed "just-so", perhaps a tiny bit forced or scripted, and not always surprising. A first-time rendez-vous in a hotel room IS awkward. Waiting for a blind date in a bar IS harrowing. For any first-time writer, I imagine that writing itself is territory visited with terror. Nonetheless, Morrison visits these scary places with a fresh eye, sly wit, and compassion often missing in the world around us. With this author's guidance, I'd visit these places again and again. Besides, how much fun is it to say at a party, when someone asks you, "What's the last book you read?" and you respond, "The Last Book You Read."
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