Frequently Bought Together
Customers Who Bought This Item Also Bought
![Vampyr [Masters of Cinema] [DVD] [1932]](http://ecx.images-amazon.com/images/I/51UyoRftn1L._SL500_SS90_.jpg)
DVD ~ Julian West
|
by Melvyn Bragg
|
The Vampire Film: From "Nosferatu" to "Interview with the Vampire" by Alain Silver |
![A Man Escaped [DVD] [1956]](http://ecx.images-amazon.com/images/I/51v2XzL75QL._SL500_SS90_.jpg)
DVD ~ François Letterier
|
by Robert Bird
|
Product details
Would you like to update product info or give feedback on images?
|
Customers Viewing This Page May Be Interested in These Sponsored Links(What is this?) |
Product Description
Product Description
Vampyr Der Traum des Allan Gray (1932) is one of the founding and defining works of psychological horror cinema, adapted from Gothic stories by Sheridan Le Fanu, a disturbing narrative of vampirism, obsession and posession of the soul. But it is also a film directed by Carl Theodor Dreyer, the revered and legendary Danish director of La Passion de Jeanne d'Arc (1927). Shot in France with private money and a largely nonprofessional cast and primitive sound equipment, Vampyr is to some extent a ruin. There is no definitive print and English versions are marred by poor image quality and subtitles. And yet it is unquestionably extraordinary, a vivid and haunting manifestation of Dreyer's power to make visible on screen the inner human state, and to convey a dreamlike imagery of textures of nature amidst which transient, solitary human figures pass, some illuminated by an inner light, others threatened by a malign or demonic presence. In relation to Dreyer's long but often frustrated career, Vampyr is often thought of as an uneven or disappointing film. But, according to David Rudkin, this is to misunderstand what it sets out to do, which is systematically to set the spectator adrift in a mysterious world. In a meticulous formal analysis of Vampyr, Rudkin expands on this contention, pinpointing the sources of the film's uniquely disquieting effect. And yet, however strange it is, Vampyr remains a profound and troubling artwork concerned at the last to communicate human meanings - and none more so than the essence of death - in remarkable filmic imagery.
About the Author
David Rudkin is a dramatist and screenwriter of forty years' standing. His theatre work is mainly associated with the Royal Shakespeare Company. Having collaborated with Tony Richardson, Francois Truffaut and Fred Zinnemann, his recent screenplays include Testimony (1987), for which he was awarded the New York Film Festival Gold Medal for Screenplay.
Tag this product(What's this?)Think of a tag as a keyword or label you consider is strongly related to this product.
Tags will help all customers organize and find favorite items. |
Customer Reviews
|
There are no customer reviews yet.
|
|||
|
Video reviews
|
 |
Listmania!
Look for similar items by category
- Books > Music, Stage & Screen > Film > Criticism & Theory
- Books > Music, Stage & Screen > Film > Film Studies
- Books > Music, Stage & Screen > Film > History of Film > United States
- Books > Music, Stage & Screen > Performing Arts
- Books > Science & Nature > Earth Sciences & Geography > Education > Higher Education
- Books > Science & Nature > Earth Sciences & Geography > Geography
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
- I am the Author, and I want to comment on my book.
- I am the Publisher, and I want to comment on this book.
Your Recent History
(What's this?)|
After viewing product detail pages or search results, look here to find an easy way to navigate back to pages you are interested in. |
