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The Bleeding of the Stone (Arris World Fiction)
 
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The Bleeding of the Stone (Arris World Fiction) (Paperback)
by Ibrahim Al-Koni (Author), May Jayyusi (Translator), Christopher Tingley (Translator)
3.0 out of 5 stars  (1 customer review)

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Product details
  • Paperback: 160 pages
  • Publisher: Arris Books (12 May 2003)
  • Language English
  • ISBN-10: 1844370151
  • ISBN-13: 978-1844370153
  • Product Dimensions: 19.8 x 13.2 x 1.2 cm
  • Average Customer Review: 3.0 out of 5 stars  (1 customer review)
  • Amazon.co.uk Sales Rank: 748,295 in Books (See Bestsellers in Books)
    (Publishers and authors: Improve Your Sales)
  • Other Editions: Paperback  |  All Editions


Product Description
Synopsis
The moufflon, a wild sheep prized for its meat, continues to survive in the remote mountain desert of southern Libya. Only Asouf, a lone bedouin who cherishes the desert and identifies with its creatures, knows exactly where it is to be found. Now he and the moufflon together come under threat from hunters who have already slaughtered the once numerous desert gazelles. Asouf lives alone in a remote corner of this desert, tending his goats. He is the one whom foreigners seek when they wish to learn about the ancient paintings on the wadi walls or the other secrets of the desert. When two visitors arrive one day, demanding that Asouf lead them to the sacred moufflon, Asouf is shaken to his core and must question every tenet of his father's faith. This story of the confrontation between this bedouin and the two hunters combines pertinent ecological issues with a moving portrayal of traditional desert life and of the power of the human spirit to resist.

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1 of 3 people found the following review helpful:
3.0 out of 5 stars Libyan Magical Realism, 23 April 2004
By A. Ross (Washington, DC) - See all my reviews
(TOP 100 REVIEWER)    (REAL NAME)   
Set in southwestern Libya, in what appears to be sometime in the 1960s,this quasi-mythical tale concerns Asouf, a bedouin hermit goatherd.Through leaps of time and flashbacks, we learn of his upbringing by afather who believed men to be corrupt and evil, and thus took his familyto the edges of civilization to live. Unfortunately, Asouf's isolationleaves him ill-equipped when the wicked hunter Cain and his sidekick (bothfellow Libyans) show up and demand to be guided to the lair of themoufflon (a wild sheep said to be extinct). The novel depicts a kind ofbackwoods type of Islam, in which God resides everywhere, spirits are tobe placated, and charms are bartered from African magicians to protectoneself. It's an interesting view of a part of the Arab world not commonlyseen, however the dive into magical realism gets far too magical for myown tastes. There is a great deal of symbolism and Biblical allusion thatgoes right over my head (not having read the Bible), but the centralmetaphor of Cain destroying his own land (with the assistance of anAmerican military man) is clear enough, as is the Christ imagery at theend, with its apparent message of redemption. Ultimately, neither thestyle nor story ever really grabbed me, but perhaps those with a firmersense of the spiritual may derive great sustenance from this tale.
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