Product Description
Synopsis
Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. Michael Talbot is Emeritus Professor of Music at the University of Liverpool.
From the Publisher
In the Musical Times, Patricia Howard wrote 'There are welcome
insights into...how and why they were written, and by whom and for whom
they were performed...a work-by-work description of each cantata provides
reference material for most of us...Talbot writes with clarity and
judgement, and a total lack of jargon...highly recommended.'
