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6 of 13 people found the following review helpful:
5.0 out of 5 stars
Tracking the Voice of a Generation, 8 Mar 2003
Olof Bjorner and I were separated by the Atlantic Ocean in the 1960's, but we had much in common. For example, we each discovered Bob Dylan's music in the 1960's, music which always seemed to reflect our lives. When we were outraged at injustice, we heard his voice; when we were confused or angry, we heard his voice; when we were in love, we heard his voice; when we were in the mood for a party, we heard his voice; when we feared the apocalypse, we heard his voice; and most of all when we wanted expression in music, we heard his voice. And we can change the past tense of the preceding sentence into present tense, for in fact we still hear his voice today.The urgency of Dylan's influence makes his work a terrific subject for study, and this first volume of Olof's Files sets the standard for fans who want to know where and when Dylan was recorded, what he sang and said, and who was there. Those who have never sat down to study Dylan's performances may be stunned by the depth of available detail. Those who have studied Dylan will be very pleased by this in-depth reference work. Open the book to any page, and see what you discover. (Page 240) Dylan performed 19 takes of She's your Lover Now (a fine song intended for Blonde on Blonde but never released until 1991's release of Dylan's THE BOOTLEG SERIES Volumes 1-3)on January 21, 1966, then dropped it summarily. (Page 58) Provides a chronicle of Dylan's show at Gerde's Flk City on April 16, 1962 - were you there? You get the picture. This book is an extremely valuable resource for those who love Dylan's music and want to discover more about it. Best of all, this is just the first Volume in a set that promises to become *the* reference book on Dylan. It has a great soundtrack, too.
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