Book Description
INTRODUCTION
Italy is perhaps Europes most complex and alluring destination. It is a modern, industrialized nation, but it is also, to an equal degree, a Mediterranean country, with a southern European sensibility. Agricultural land covers much of the country, a lot of which, especially in the south, is still owned under almost feudal conditions. In towns and villages all over the country, life grinds to a halt in the middle of the day for a siesta, and is strongly family-oriented, with an emphasis on the traditions and rituals of the Catholic Church, which, notwithstanding a growing scepticism among the countrys youth, still dominates peoples lives.
Above all, Italy provokes reaction. Its people are volatile, rarely indifferent, and on one and the same day you might encounter the kind of disdain dished out to tourist masses everywhere and an hour later be treated to embarrassingly generous hospitality. If there is a single national characteristic, its to embrace life to the full: in the hundreds of local festivals taking place across the country on any given day, to celebrate a saint or the local harvest; in the importance placed on good food; in the obsession with clothes and image; and above all in the daily domestic ritual of the collective evening stroll or passeggiata a sociable affair celebrated by young and old alike in every town and village across the country.
Italy only became a unified state in 1861, and, as a result, Italians often feel more loyalty to their region than to the nation as a whole something manifest in different cuisines, dialects, landscape and often varying
standards of living. There is also, of course, the countrys enormous cultural legacy: Tuscany alone has more classified historical monuments than any country in the world; there are considerable remnants of the Roman Empire all over the country, notably of course in Rome itself; and every region retains its own relics of an artistic tradition generally acknowledged to be among the worlds richest.
Yet theres no reason to be intimidated by the art and architecture. If you want to lie on a beach, there are any number of places to do so: beaches are for the most part sandy; coastal development has been kept relatively u