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Torch (Luath Original Crime Fiction)
 
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Torch (Luath Original Crime Fiction) (Paperback)

by Lin Anderson (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)
RRP: £9.99
Price: £8.99 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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  • This item: Torch (Luath Original Crime Fiction) by Lin Anderson

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Product details

  • Paperback: 179 pages
  • Publisher: Luath Press Ltd (1 Sep 2004)
  • Language English
  • ISBN-10: 1842820427
  • ISBN-13: 978-1842820421
  • Product Dimensions: 20.8 x 13.5 x 2 cm
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 458,837 in Books (See Bestsellers in Books)

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Torch (Luath Original Crime Fiction)
58% buy the item featured on this page:
Torch (Luath Original Crime Fiction) 3.0 out of 5 stars (2)
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Customer Reviews

2 Reviews
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 (1)
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Average Customer Review
3.0 out of 5 stars (2 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Torch, 19 May 2009
By Big Bertha (UK) - See all my reviews
(TOP 1000 REVIEWER)   
This review is from: Torch (Paperback)
Second in the Rhona McLeod books starts out as bodies and buildings are being torched in both Glasgow and Edinburgh this is too much to be a coincidence and forensic scientist Rhona finds herself heading away from her normal patch in Glasgow to Edinburgh and getting embroiled in the fire investigation.

As Edinburgh builds up to Hogmanay the Police and Fire service try to find the 'Torch' before he can cause chaos to the celebrations.

This is a fast-paced, easy read that flows along with tension building as the story reaches it's gripping conclusion. Great characters, a gruesome storyline and a loveable dog called Emperor.
Although part of a series, this book could easily be read and enjoyed on it's own.
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2.0 out of 5 stars Torch, 6 Jun 2009
This review is from: Torch (Paperback)
This is the second book featuring Rhona Macleod, Glasgow's answer to Kay Scarpetta. Arson attacks are taking place both in Glasgow and Edinburgh and Rhona is on the case. Because both cities are involved there is ample opportunity to hit the reader with threadbare clichés concerning these cities, and the author takes full advantage. There are many examples, but this is the worst.

`The best thing to come out of Edinburgh is the train to Glasgow, or so say the citizens of the dear green place. Of course, that can be reversed. Cities forty-six miles apart, one wholly respectable and the other totally irreverent, the dichotomy of the Scottish urban psyche.' (Page 15, Hodder edition).

Glasgow is far from totally irreverent. Check some of its many `respectable' areas, for example, on the south side. As for Edinburgh being `wholly respectable', this obvious nonsense is contradicted by the author's own narrative in several places. And the `dichotomy of the Scottish urban psyche,' whatever that may be, excludes the residents of other Scottish cities.

Ms Anderson has lived in Glasgow and Edinburgh, but she is writing a novel and has taken the easy way out. It is easier to incorporate the usual clichés than attempt to be accurate. Except when it comes to forensic science. Being accurate about that is more important, it seems, and in this area the author has done her research.

Given the nature of Rhona Macleod's work there is going to be violence and some of it involves dogs. There are two in the novel: one has its throat slit and the other it tail cut off. The latter, Emperor, belongs to a girl who is killed in chapter one and the question then is what will happen to this animal. We don't need to worry though, the Edinburgh police know what to do - contact the RSPCA (twice on page 34). This wouldn't do much good since the RSPCA do not operate in Scotland - a fact which would be known to the police, if not to the author. The charity which does is the SSPCA. But Ms Anderson has done her research.

Apart from the details mentioned, this book is competent and passes the time. There is the obligatory sexual/relationship angle and the narrative, though unlikely in places, is coherent. It will keep you turning the pages. But if you want more sophisticated writing in the forensic science area you would do better with Patricia Cornwell who, at her best (for example, The Book of the Dead), not only covers the science but also offers unusually subtle psychology and wonderful dialogue.
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