Tales from Earthsea: short stories (Hardcover)

The first story, "The Finder", is the longest, actually a novella, and for my money the best of the set. Here we find ourselves far back in the history of Earthsea, when wizard fought wizard as a matter of course, when magical knowledge was jealously guarded, when the average non-magical person lived in fear of what magic would visit them next. Otter, a half-trained wizard with a powerful skill for 'finding' whatever he looks for, falls on the receiving end of the worst of this mis-use of magic, forced to try and find mercury, the King of all materials, for a half-crazed older wizard. How he escapes from this imprisonment, and his search for a place where magic is taught freely, forms the bulk of this story, ending with his founding of the School of Wizards on Roke. In this story we find the same evocation of the magical, of balance between man and nature, of ambition tempered by internal morality, that so graced the original trilogy.

The second story, "Darkness and Diamond", has appeared elsewhere previously, but it deserves a second reading, being a beautifully told love story of a boy with conflicted desires between his wizardly talent and its concomitant requirement of chastity, and his love of music and a girl who shares his passions. A fine portrait of what is important in the business of living.

The third and fourth stories, "The Bones of the Earth" and "On the High Marsh", are comparatively minor stories, that never the less do a good job of filling in some of the history of Ged, showing his first teacher in his greatest wizardly act, and a mature Ged who can forgive and help heal a former Arch-mage.

The last story, "Dragonfly", has also appeared elsewhere, but it is a must read before tackling the latest Earthsea novel, The Other Wind. This is story that I think many fans of the series object to, as it details the heretical idea that women both can and should wield magical powers, that their power, based on the Old Powers, is just as valid as the complex hierarchy of talents embodied by the School of Wizards. Is this a change from the world of the first three novels? Certainly, but I think it is a change for the better, more fitting with the overall theme of balance that pervades the entire Earthsea universe. As Le Guin herself states in the forward, it has been a long time since the first books were written, and history and people move on, grow and develop, and this story exemplifies this very well.

For fans of the originals, this is a must book. For those who have never been charmed and captivated by Earthsea, now is the time to read the series in its glorious whole.

My fears proved unfounded, and reading Tales of Eathsea was one long delight. Although the feminist tones are unmistakable, the female focus is never at the expense of the story. The world of Earthsea is as vivid as ever, or perhaps even more so, the language is beautiful, and the stories hold many surprises yet remain faithful to the world of the original trilogy. Magic is alive and well, the great house at Roke still stands, and learning of how it was founded makes me confident that it will take more than a few female students or broken celibacies to bring it down. I think short stories are perhaps the ideal medium for ULG: Her beautiful, economic prose crafts a unique gem out of each tale, and leaves the reader wishing for more.