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Dark (Paperback)

by Kenji Jasper (Author)
4.0 out of 5 stars  See all reviews (1 customer review)
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Product details

  • Paperback: 224 pages
  • Publisher: No Exit Press (10 Sep 2001)
  • Language English
  • ISBN-10: 1842430408
  • ISBN-13: 978-1842430408
  • Product Dimensions: 19.2 x 13 x 2 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 1,310,091 in Books (See Bestsellers in Books)

Product Description

Synopsis

Kenji Jasper has written a haunting portrait of an urban generation, shadowed and often erased by violence but determined to make its mark on the world. Dark is a fresh, first rate African-American coming-of-age debut novel that joins the sensibility of a young James Baldwin to the contemporary subject matter of rap and hip-hop. At 19, Thai Williams is walking a thin line between two worlds. On one side he has his job as a filing clerk for the DC department of Public Works, his girlfriend Sierra, and his plans for going to college. But on the other, darker side there are his friends Snowflake and Ray Ray, men who run the neighbourhood streets constantly dodging the dangers of the crime life and the drug game. But that thin line disappears when Thai walks in on Sierra with another man, whom he eventually kills in a haze of jealousy and confusion. From there Thai finds himself on the run and away from the five-block stretch where he's lived for all of his life. He finds his way to Charlotte, where Enrique, his closest friend of all, had moved in search of a better life.

In the course of the week that follows, Thai encounters a series of men and women who show him aspects of life he never dreamed of in his narrow ghetto existence. All of them are looking for answers, but it is Thai who must find his own path out of the dark - and into the clear light of moral responsibility and repentance for his actions. In his first novel, Kenji Jasper has written a haunting portrait of his own urban generation, shadowed (and often erased) by violence, but determined to make their mark on the world.



From the Publisher

Hard edged and realistic rites of passage first novel
At 19, Thai Williams is walking a thin line between two worlds. One on side he has his job as a filing clerk for the DC department of Public Works, his girlfriend Sierra, and his plans for going to college. But on the other, darker side there are his friends Snowflake and Ray Ray, men who run the neighborhood streets constantly dodging the dangers of the crime life and the drug game. But that thin line disappears when Thai walks in on Sierra with another man, whom he eventually kills in a haze of jealousy and confusion.

From there Thai finds himself on the run and away from the five-block stretch where he's lived for all of his life. He finds his way to Charlotte, where Enrique, his closest friend of all, had moved in search of a better life. In the course of the week that follows, Thai encounters a series of men and women who show him aspects of life he never dreamed of in his narrow ghetto existence. All of them are looking for answers, but it is Thai who must find his own path out of the dark - and into the clear light of moral responsibility and repentance for his actions.

In his first novel, Kenji Jasper has written a haunting portrait of his own urban generation, shadowed (and often erased) by violence, but determined to make their mark on the world.

Author in UK September 25th-27th 2001

'Kenji Jasper has tapped into the voice of his generation with this amazing new book. He understands the fears and aspirations of the young African/American male and is not afraid to expose the darker side of his hero's personality in an attempt to make people sit up and think. Kenji Jasper has written a work of fiction that feels so real, it scares me.' - E. Lynn Harris


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1 of 1 people found the following review helpful:
4.0 out of 5 stars Help Save the Youth of America, 16 Aug 2001
By A Customer
This debut novel is a tight story about Thai, a 19-year-old black man with the mind and ability to make something positive of himself, but who is wary of anyone and anything beyond his neighborhood (Shaw, in Washington, D.C.). One evening he kills another young black man in the heat of the moment (they are fighting and he is handed a gun) in retaliation for sleeping with his girlfriend. This step toward thug life shocks him out of his home turf, and takes off for Charlotte, NC to hide out and see his best friend. On the surface this sounds like another basic urban crime story, but it's really the entry point for the author to explore how young black men and women get stuck in the ruts of dead-end jobs and living situations, unaware of the possibilities offered by the world.

Contrary to what others have written, the book is not about redemption. Jasper makes it clear that there is no path for redemption after murder-it's an evil one has to live with for the rest of one's life. The only positive path is to change one's life, and the book's real story is about Thai's struggle to figure out whether his identity is inexorably bound to the people and places he knows, or whether his identity is something he can redefine for himself. During his week in Charlotte, he is shown how life can be better, both by his best friend (who has a j-o-b, a fine ride, and a fine woman), and others he meets who try and convince him that leaving the old neighborhood behind isn't the end of the world. We taken deep into Thai's head and shown all his confusion and the conditioning that he struggles with. And in that sense, it's a cautionary story.

The writing is simple and solid, Jasper's dialogue flows with a natural realistic rhythm, whether it be banter between friends, or serious father-son talks. Each character has a distinct voice, and comes alive as a real person. The one criticism I have is the role women play in the story. Throughout the book, men young and old are shown to be heartbroken by women who cheat on them, play them, die on them, abandon them, or otherwise mess up their lives. More than one character advises Thai not to fall in love, due to the complications it causes. And over the week Thai spends in Charlotte, he meets a white woman who wants to have sex with him within minutes of their meeting, a black stewardess who he has amazing no commitment sex with three times, and another good-looking black woman who seems to want to tease him sexually. Granted, Thai may view woman as purely sex objects, but this is never explored with the same thoughtfulness as the other issues in the book. Even so, it's an excellent glimpse into the psyche of a modern black youth looking for a way out of the neighborhood and his own darkness. Jasper leaves it open-ended, and it's possible we might see more of Thai down the road.

If you're into D.C. stuff, check out Edward Jones's excellent collection of stories "Lost in the City," and the crime novels of George Pelecanos. Another recent novel with a similar theme (set in Oakland ten years ago) is Nichelle Tramble's strong "The Dying Ground."

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