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The Quarrel Of The Age: The Life And Times Of William Hazlitt
 
 

The Quarrel Of The Age: The Life And Times Of William Hazlitt (Paperback)

by A.C. Grayling (Author)
3.7 out of 5 stars  See all reviews (3 customer reviews)

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Product details

  • Paperback: 416 pages
  • Publisher: Weidenfeld & Nicolson; New edition edition (19 Jul 2001)
  • Language English
  • ISBN-10: 184212496X
  • ISBN-13: 978-1842124963
  • Product Dimensions: 22.6 x 15.6 x 3.6 cm
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon.co.uk Sales Rank: 619,244 in Books (See Bestsellers in Books)

Product Description

Amazon.co.uk Review

William Hazlitt believed in the passion of the moment, the spontaneous, in art, something he termed "gusto". It was a quality that distinguished his own writing, but that also could be applied to his fatal flaw, an inability to distinguish love from lust in his personal life. Philosopher A.C. Grayling proves remarkably well attuned to both the abstract and the earthy in his subject's life. Midwife to the birth of Romanticism (he knew the young Wordsworth and Coleridge, who told him he had guts in his brains), Hazlitt was at first a talented portrait painter. It was not until his 30s that he was to "decline into a journalist", albeit the first major theatre reviewer, and a dissenting political journalist who would become possibly the second-greatest English essayist, after his friend Charles Lamb.

Appropriate to his early career, he wrote pen portraits of the leading figures of the time in Spirit of the Age, which along with the Selected Writings still bear a wit and precocity that delights his many admirers, who include Michael Foot and Tom Paulin. "Essay on the Principles of Human Action" proclaimed his belief in the ultimate altruism of man, rejecting the Hobbesian notion of selfishness in an argument that anticipated contemporary debate. Despite his talents, he still contrived to be his own worst enemy, being addicted both to prostitutes and the habit of love at first sight. When he died in 1830, aged only 52, he had destroyed much of his reputation with Liber Amoris, which detailed his infatuation with Sarah Walker, the 19-year-old daughter of his boarding-house keeper. This obsessional streak, part of an inability to compromise which gave rise to a lifelong admiration for Napoleon and advocacy of the ideas of the French Revolution, saw him grow even more radical with age, as the Romantic poets embraced more conservative values. Grayling's careful reading will not please everyone, but he writes with exemplary clarity and insight of a brilliant writer and a difficult life. --David Vincent --This text refers to an out of print or unavailable edition of this title.



Product Description

William Hazlitt is England's greatest essayist. He was also a philosopher, a painter, a controversialist and a radical, whose critical writings about literature, the theatre and art were ardently admired in his day. He is the author of the first confessional autobiography of sexual passion, a biographer of Napoleon, a friend of, and profound influence upon, Keats, Stendhal, and Charles Lamb, a friend and later enemy of Coleridge, Wordsworth, and De Quincy, and a key figure in the intellectual life of Regency England. His life was lived against the backdrop of the French Revolution and subsequent Revolutionary and Napoleonic Wars, with their associated political and literary radicalism in England.

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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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6 of 6 people found the following review helpful:
5.0 out of 5 stars Grayling on Hazlitt: A scholarly and sympathetic book, 10 Jan 2005
By Reg Green (Overijse, - Belgium) - See all my reviews
I have just finished reading 'The Quarrel of the Age: the Life and Times of William Hazlitt' by A.C. Grayling, having previously read a number of Grayling's other books on philosophy which I found to be models of clarity and concision. I had, for this reason, eagerly awaited the publication of 'The Quarrel of the Age'. I was not disappointed; reading the book greatly added to the pleasure of my Christmas break. I could not in any way understand the comments made by the reviewer from London, England who felt that "Grayling never managed to convince me that Hazlitt meant anything to him" and that it "... seemed like his publisher had suggested the topic as a likely seller and Grayling a media pundit and SOMETIME PHILOSOPHER (my emphasis) - snapped eagerly at the bait." My reaction to the this review is that it is rather heavy on personal criticism and light on the work itself. Firstly, no serious reader of the book could fail to appreciate Grayling's clear delight in Hazlitt's writing, or his sympathetic but honest treatment of Hazlitt's personal failings and travails. Grayling has elsewhere in his writings indicated his personal admiration for both Hazlitt's intellectual and critical abilities and the forcefulness and clarity of his argument and writings. It is also clear that Grayling had undertaken a great deal of original research in order to be able to write the book. For these reasons, the remark that Hazlitt meant nothing to Grayling simply doesn't stand up. Secondly Grayling would not for one moment suggest that his book is in any way a substitute for reading the original works by Hazlitt. Indeed, within the book he provides regular commentary on Hazlitt's principal works and their strengths and weaknesses - clearly designed to help the reader understand the wealth on offer for further reading. To suggest, therefore, that any one wishing to know about Hazlitt should read his writings and ignore the biography misses the point of Grayling's book by a very wide margin. Biography is not intended as a substitute for its subject's original work or thoughts. The point of good biography is, rather to set its subject in context and to provide as clear an understanding as possible of the subject's motivations, abilities, personality, foibles and failings. I felt that Grayling did this job admirably. During my reading of the book I often experienced strong feelings - variously of personal discomfort, elation, anger and sadness - at the situations confronting Hazlitt. Grayling shares this ability to provoke such emotions with only the very best biographers of my experience and I certainly do not believe such ability could come from a money-grabbing hack. Thirdly, I found Grayling's writing a joy to read, he somehow managed to find a style that not only did not jar with Hazlitt's writing, but managed to sound contemporaneous without sounding dated. I urge anyone considering this book to read it and come to their own conclusions as I did. My lingering suspicion is that the reviewer from London has some unstated reason - personal or policital - to feel piqued about the author as opposed to the quality of his writing; something that Hazlitt would certainly have understood given the personal attacks he suffered throughout his life. In fact, if there is a 'leitmotif' running through Grayling's book it is that Hazlitt was personally attacked largely because his antagonists had neither the courage nor the intellect to criticise his work on its merits, or - worse still - who felt that someone with a differing political perspective or cultural outlook was by virtue of this unable to produce work of lasting quality, still less genius. They were wrong about Hazlitt, and I am equally confident that the vast majority of readers of this biography by Grayling will see the real merits of the book.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars Outstandingly good and deeply moving, 10 Sep 2001
By A Customer
AC Grayling is a philosopher and critic just as Hazlitt was, and therefore writes about him with particular insight and sympathy. His account of the historical background of Hazlitt's life is masterly, and the book is written with narrative pace and wit. Grayling makes brilliant use of extensive quotations from Hazlitt's own writings and the writings of contmporaries to bring the contemporary flavour of Hazlitt's life and times before the reader. There are remarkable pen-portraits of Keats, Wordsworth, Charles Lamb, Leigh Hunt, Coleridge and Southey, and the political quarrels in which they were all mutually engaged (hence "The Quarrel of the Age", punning on Hazlitt's "Spirit of the Age") is sharply and often amusingly drawn. The account of Hazlitt's bitterly unhappy and notorious love affair with Sarah Walker is extremely moving. This biography is succeeds in getting right into the skin of its subject, as if the author knew him personally. As a bonus, as one would expect from such an elegant writer as Grayling, it is a beautifully written book, and a double pleasure to read therefore, for both its style and its subject.
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5 of 13 people found the following review helpful:
1.0 out of 5 stars Misses the real Hazlitt, 19 Nov 2000
By A Customer
It has now become a cliche to say that Hazlitt is a much neglected figure in English letters - nevertheless, it is true that his originality has been greatly missed. He helped to rehabilitate the essay as a serious literary form and brought a French sensibility to the stuffy world of 19th century English literature. He was also a political radical. A good biography normally depends on a mysterious fit between subject and author; sadly, Grayling never managed to convince me that Hazlitt meant anything to him. It seemed like his publisher had suggested the topic as a likely seller and Grayling - a media pundit and sometime philosopher - snapped eagerly at the bait. I suggest that anyone really interested in Hazlitt turn, as ever, to the work itself - and steers clear of this...
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