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8 of 9 people found the following review helpful:
5.0 out of 5 stars
Thomas and Windsor-Smith begin their epic run on "Conan", 14 Jul 2004
Barry Windsor-Smith is my favorite comic book artist. Even though I have been selling off a lot of my old Marvel comic books, if Windsor-Smith drew the issue or just the cover, then that comic is a keeper. The irony is that when he drew his first comic book for Marvel comics, literally drawing his pages on park benches in Central Park, we all though he was the worst artist in the history of the world. But as you can see in "Tower of the Elephant and Other Stories," the first volume in "The Chronicles of Conan," in which Dark Horse reprints the first eight issues of Marvel's "Conan the Barbarian," Barry Windsor-Smith was quickly developing one of the most distinctive drawing styles in the history of comic books. The key in these first eight issues of "Conan the Barbarian" are when Thomas and Windsor-Smith work from some of Robert E. Howard's original stories. Issue #4, "Tower of the Elephant" is prominent in the title of this collection because it is the first classic "Conan" comic book, but the adaptations of "The Grey God Passes" (#3), the poem "Zuakal's Hour" (#5), "The God in the Bowl" (#7), and a synopsis by Howard that Thomas uncovered (#8), were all crucial in helping the team find their voice and look in these comics. Just as the writing by Thomas becomes more than standard comic book fare, so does the artwork by Windsor-Smith because more stylized. Sal Buscema's inking of Windsor-Smith's pencils clearly defines this period, but I like the pages done by Dan Atkins a little better. Frank Giacoia's inks were just too different, but the final story, inked by Tom Sutton and Tom Palmer, hints at what we would see when Windsor-Smith would ink himself (did I mention I have the splash page of issue #8 as a black light poster?). I have been happy to pick up the Marvel black and white reprint collections in the Essential series, but Conan is the exception to the rule. I do not want to take my comic books out of their bags, but with the remastered color of these comic books these reprints look a whole lot better than the originals. With its exotic locales, strange creatures, and gaudily dressed characters, "Conan" is a comic that especially benefits from remastered color. The results are extremely impressive. Both Thomas and Windsor-Smith continue to make great improvements over the next dozen issues of "Conan the Barbarian," so I look forward to Volume 2 of "the Chronicles of Conan." Hopefully Dark Horse can reprint Thomas and Windsor-Smith's black and white Conan stories that they did in "The Savage Sword of Conan," especially "Red Nails," the splash page of which I had blown up on a giant poster board and colored in myself. I treasure that almost as much as the Windsor-Smith print we have in our bedroom that is signed and enscribed with our names and the date we got married.
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