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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Galvatron's last stand, 22 Jan 2004
The story appearing here brought a fitting end to the ongoing UK epic of Galvatron's excursions on 1980's Earth, concluding the events of the past hundred and twenty or so issues, since the character's first appearance in 'Target: 2006'. As seen in the previous collection, 'Space Pirates', the toing and froing of Transformers in the timestream has caused a rift in the time/space continuum, which is growing ever larger. Something must be done...As the title implies, what 'Time Wars' amounts to, basically, is an epic battle involving Autobots and Decepticons from two different times (how freaky it is to realise that we are now closer to the future of 2009 than the 'present day' 1989!) attempting to restore order by vanquishing Galvatron from the time period in which he's been living for a couple of years. There's a number of deaths involving long running (and no longer part of the toy range) characters, kind of a dry run for Simon Furman's mass cull as he moved into the US title, and the welcome return of Ravage after an absence of more than 100 issues (since a skirmish with the Skids in the US story, 'Showdown' - Skids himself also makes a brief reappearance, still trapped in limbo since Galvatron's arrival in 'Fallen Angel'). 'Time Wars' itself only occurs in the second half of the book, and the stories preceeding it relate to the what is about to happen. When I first opened the book I was surprised to find it begins with 'Worlds Apart', the UK 'Headmasters' story, but reading on (specifically, 'All in the Minds' and a subplot in 'Time Wars') the reason for its inclusion become apparrent. The other stories here, 'Dry Run' and 'Altered Image', are more obviously necessary, setting out the back story of the Megatron/Galvatron union. All is well written, and all is well drawn. The book even corrects a colour error which occurred in the original comic run of 'Time Wars'. One minor fault is that the artwork styles vary quite dramatically throughout the 'Time Wars' story - from Andy Wildman's opening cartoonish style, through Dan Reed's horror look, to Lee Sullivan's angular look which climaxes events. I like all the artwork and, presented on a weekly basis, it works fine, but collected here it jars a bit - a scene can start off in one style and then completely change on the next page. The UK comic would never again reach the heights achieved through the Galvatron saga and indeed, only a few weeks later, the UK strip shortened and changed to black and white. 'Time Wars', therefore, represents the end of an era.
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