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6 of 7 people found the following review helpful:
5.0 out of 5 stars
The Man Who Would Be King, 15 Sep 2005
"Though it is hard to be a king, it is harder yet to become one." Thus begins Mark Helprin's hilariously wacky fantasy "Freddy and Fredericka". Freddy is the Prince of Wales. In private he is a fit and intelligent man approaching middle age who tests his physical skills by hiking across the wilds of Scotland with nothing but a backpack. He is thoughtful and well read. In public, he is ungainly and misunderstood. His rather large ears and his penchant for making malaprop-riddled public utterances make him a laughingstock to the British public. His wife, Fredericka can do no wrong. Considerably younger than Freddy, she is beautiful but empty-headed. Despite that, no matter what she says, no matter how vacuous or wrong headed the public eats it up. Freddy's mother, Queen Phillipa, abhors Fredericka. The Queen's relationship with her daughter-in-law is dysfunctional to say the least. Freddy has a sizzling relationship with an older yet extraordinarily passionate woman, the aptly named Lady Phoebe Boylinghotte. Freddy and Fredericka's relationship is strained to say the least. Sound familiar yet? As the story opens, Freddy is in the Highlands trying unsuccessfully to get a falcon to fly at his command. This is no trivial matter. The falcon will only fly for someone with the qualities to be a king and no Prince of Wales can succeed to the throne unless can make the falcon fly. Freddy has failed in his first three attempts. He has one more to go. After a series of hilariously funny misadventures that makes Freddy look like an insane clod a mysterious stranger, a wizard in fact, is summoned to Buckingham Palace in what can only be described as a royal intervention. Mr. Neil, who claims to be old enough to have first-hand knowledge of the earliest Kings of England, with the blessing of the Queen, commands Freddy and Fredericka to go out on a quest to prove they are worthy of the throne. Their task is to reconquer America. To that end they are stripped of their clothes and money and flown to the States in a military aircraft. They parachute out of the aircraft and find themselves in "Hohokus" a wet swampy area just west of New York City. Their subsequent journey takes them through the United States. They hop rail cars, do manual labor and see a side of the U.S. and the world that no royal has ever seen. As they discover America they also discover themselves and, more importantly each other. By this point it becomes clear that any similarity between Helprin's fantasy Prince and Princess and any real royal persons is superficial; just a jumping off point for an exploration of what lies below the surface of those we only know through the media. It is also a nice jumping off point for what lies below the surface of all of us. Helprin does this without ever slowing down the pace or humor of the story. A mere description of the outline cannot describe the enjoyment I derived from reading the book. Helprin's writing style is funny and frenetic. It is also thoughtful. Some readers may not find the Dickensian names Helprin gives some of his characters particularly witty. I found them endearing. Some may think that some of the humorous set piece fall flat. Some of humor did not work for me but that is only a minor complaint when viewing the book as a whole. The most enjoyable part of Freddy and Fredericka was the fact that the book evoked so many different reference points for me. The snappy one liners, word-play and somewhat less than dry wit that marks the first portion of the book seemed one part Yes Minister, one part Dickens and one part Monty Python. Freddy and Freddy's journeys through the U.S. to reconquer America contained some (distant) echoes of Mark Twain Prince and the Pauper and Kipling's The Man Who Would be King. Despite a couple of flaws and false notes, I enjoyed Freddy and Fredericka. The book turns reflective as it nears its conclusion but I think the zany adventures that precede the conclusion renders the change in tone and pace more effective. Shakespeare's Richard II demanded people to "let us sit upon the ground and tell sad stories of the death of kings!" In the case of Freddy and Fredericka you won't go wrong if you sit upon the ground (or preferably the beach) and read this zanily-realized fantasy of the birth of a king.
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2 of 3 people found the following review helpful:
4.0 out of 5 stars
Royal disasters, 18 Jan 2006
"it is hard to be a king, it is harder yet to become one." For a generation that has grown up with modern royalty, nothing more need be said. Mark Helprin takes on the British royal family in his latest novel, a hilarious satire on Charles and Di, and the British royals in general. Don't expect Helprin's more ethereal books of the past -- in "Freddy and Fredericka," he just seems to be having fun. The Prince and Princess of Wales are stuck in a loveless marriage: Freddy is stodgy, pompous, scholarly, and tends to embarrass himself. Fredericka is sexy, blonde, ditzy, and loves discos. She is adored by everyone, while he consoles himself with his longtime mistress. The media dislikes him for his "out-of-touchness," but she can do no wrong in their eyes. Ladylike Queen Phillippa considers Fredericka a massive threat to the throne. But when Freddy ends up naked, tarred and feathered outside the palace, Phillipa decides that her son and daughter-in-law have embarrassed the royals once too often. She calls in the mysterious Mr. Neil, who sentences the bickering pair to conquer a rough new land: industrial New Jersey. Doing manual labor, parachuting, dealing with biker gangs and dental practices, Freddy and Fredericka begin to learn what real life is like -- and more about each other. Everyone except the British royal family knows what they need -- a swift kick of reality. So it's pretty fun to see a story about Di and Charles clones having to live like commoners for awhile, and so losing their absurd pretensions. Too bad this never happened in real-life, or the British royal family might be in better shape. It does tend to ramble on in the last quarter, and Helprin gets a bit too goofy with some of the names. Faintingchair? Okay, whatever. But Helprin's sense of humour is much sharper elsewhere: Parliament laughing over the "bosoms" tape, the "Fah Kew!" incident, and the duel with the bikers. Not to mention the hilarious duplicates of Queen Elizabeth and Prince Philip, either quietly ineffectual or rigidly disdainful. But "Freddy and Fredericka" wouldn't be really good if it were all humour. As Freddy and Fredericka explore the U.S., even helping on a presidential campaign, they become a lot more likable and fun. It's touching to see the formerly un-loving couple begin to form genuine respect and liking for each other. Helprin has abandoned his more ethereal style for a robust, undignified kind of writing. It's still detailed and witty, but he seems to have loosened up. The one exception is the note of magical realism, Mr. Neil. He's ten thousand years old, knows of every English king in history, and works in a sex toy factory. Only a writer as talented as Helprin could make such a character work. We'll never know what would have happened if Di and Charles had been commanded to live incognito in New Jersey. But "Freddy and Fredericka" offers a hilarious, touching look at what might have happened if they ever had.
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2.0 out of 5 stars
Helprin Pokes Fun At Things He Doesn't Really Understand, 7 May 2009
This book will no doubt seem hilarious to its USAnian readers with its parodies of the British Royal Family. As a Brit, the flaws and the author's lack of understanding of the Monarchy and of the British Government are far more evident.
Prince of Wales Freddy as a bumbling clod mired in ancient illogical traditions while his younger wife is an airhead. Queen Philippa is in danger of being upstaged by Fredericka and knows it. The House of Commons has just heard a damning tape about Fredericka's bosoms while the gutter press is airbrushing photographs to reinforce Freddy's image as an idiot while worshipping Fredericka as a living saint.
In comes an incarnation of Merlin to send the royal pair off to America to live as commoners and get a dose of reality. Really this is little more than a vehicle for worshipping the USA and its traditions.
Despite the amusing names (Lady Boylingehotte, Lord Faintingchair etc) it's unsubtle at best and sometimes crass. I'm a Brit and not a fan of the monarchy, but this is little more than a vehicle for USA-worship. Helprin may have done some research into the mechanisms of British politics, but he's ridiculing something he doesn't really understand and this book can only really appeal to others with the same superficial understanding.
If you're USAnian you'll probably love it. If you're a Brit, it will just jar and irritate.
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