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Stein, Gender, Isolation, and Industrialism: New Readings of Winesburg, Ohio
 
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Stein, Gender, Isolation, and Industrialism: New Readings of Winesburg, Ohio (Paperback)

by Duane Simolke (Author)
4.0 out of 5 stars  See all reviews (1 customer review)
Price: £7.99 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Paperback: 128 pages
  • Publisher: iUniverse.com (19 Jul 1999)
  • Language English
  • ISBN-10: 1583483381
  • ISBN-13: 978-1583483381
  • Product Dimensions: 23 x 15.4 x 0.9 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 2,720,394 in Books (See Bestsellers in Books)

Product Description

Synopsis

Stein, Gender, Isolation, and Industrialism: New Readings of Winesburg, Ohio re-visits the best known work of the influential American writer, Sherwood Anderson. Dr. Simolke examines Sherwood Anderson's Winesburg, Ohio, as it relates to Gertrude Stein, gender roles, gay subtext, failed communication, and the machine in the garden.


From the Author

A look at Sherwood Anderson and Gertrude Stein
In this book, I consider Gertrude Stein, gender roles, gay subtext, the machine in the garden, feelings of isolation, and attempts at communication, as they all relate to Sherwood Anderson's masterpiece. I also consider Anderson's overlooked novel Poor White. Winesburg, Ohio and Stein's writings had a strong influence on my book The Acorn Stories, though I didn't discover them until well after I started writing that book. Please visit Amazon.com's (America) listing of The Acorn Stories for details of those influences; just click on the interview link after you get there.

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2 of 2 people found the following review helpful:
4.0 out of 5 stars An informative look at an American classic., 3 Oct 2000
By A Customer
This slender but informative volume offers new ways of viewing the familiar classic Winesburg, Ohio, by Sherwood Anderson. Though some might dislike the feminist angle and the homosexual angle, Simolke does give new insights into Anderson's work.

The compararisons of Winesburg with Anderson's Poor White and Gertrude Stein's "Melanctha" are also helpful, without too much emphasis on "queer theory" and other academic trends.

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