The Last Days of Pompeii Kessinger Publishing's Rare Mystical Reprints: Amazon.co.uk: Sir Edward Bulwer-Lytton: Books

Customers Who Bought This Item Also Bought

Pompeii

by Robert Harris

3.8 out of 5 stars (109) �5.57

› Explore similar items

Inside This Book (Learn More)

First Sentence
HO, Diomed, well met! Read the first page

Explore More
Concordance

Browse Sample Pages
Front Cover | Table of Contents | Excerpt

Suggested Tags from Similar Products

(What's this?)

Be the first one to add a relevant tag (keyword that's strongly related to this product)

historical fiction

Customer Reviews

2 Reviews

5 star:		(1)
4 star:		(0)
3 star:		(0)
2 star:		(0)
1 star:		(1)

Average Customer Review

3.0 out of 5 stars (2 customer reviews)

Share your thoughts with other customers:

Create your own review

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars A thousand delicate tints, 12 Oct 2003

By	Rick Darby - See all my reviews (REAL NAME)

If all you know about Sir Edward Bulwer-Lytton is the notorious opening sentence of another of his novels, "It was a dark and stormy night ...," and that this is supposed to imply that he wrote overblown purple prose -- I urge you to try The Last Days of Pompeii (first published in 1834). You may be surprised to find yourself in the hands of an expert storyteller and, yes, an often splendid stylist.

Bulwer-Lytton was one of the most popular fiction writers in the 19th century (and his reputation has really only waned in the last 60 years or so). Our ancestors weren't naive dupes; they rightly recognized that there was something exceptional about Last Days. If the book is now out of fashion, it nevertheless remains a fascinating read.

Briefly, the story concerns four people in Pompeii in the period leading up to the eruption of Mount Vesuvius that buried the city in ash in AD 79. They are Glaucus, a Greek-born, rich young man who is a bit of a rake (he gambles on the gladiatorial games) but fundamentally decent; Ione, his lover (in the author's words, "The wealth of her graces was inexhaustible -- she beautified the commonest action; a word, a look from her, seemed magic. Love her, and you entered into a new world, you passed from this trite and common-place earth"); Nydia, a blind slave girl passionately and uselessly in love with Glaucus; and Arbaces, a brilliantly malevolent high priest of the cult of Isis.

The reader, too, passes out of "this trite and common-place earth" in the book's pages. The style is of another time, to be sure, one that is unashamedly colorful and romantic. To some poor cynical souls I suppose it will seem corny; to those who still look at the stars and sunsets with awe, the language will resonate with a thousand delicate tints.

Last Days is not only an evocative re-imagination of a historical time and place, and a craftily plotted story; it also touches on deep philosophical matters. Bulwer-Lytton was interested in the Mystery cults of the Roman empire, including that of Isis. Although, probably to avoid offending the conventions of his time, he had Glaucus and Ione eventually convert to Christianity, it's hard to doubt that he was sympathetic to earlier pagan religions. Although Arbaces is the villain, his literary portrait is drawn with keen psychological insight and his religious rites are thoughtfully and strikingly portrayed. (The scene in which Arbaces tries to initiate Ione's brother into the secret -- highly sensuous and erotically tinged -- rituals of the cult is electrifying!) Mystical undertones are not far from the jewelled surface of this novel.

So read this as a period piece, but not in a condescending way; let yourself be drawn into the sun-glazed temples and forums, the loves, the cruelty and the jealousies of ancient Pompeii. See them through a dreamy, extravagant early-Victorian literary sensibility. Give yourself up to Bulwer-Lytton's magic, as so many did in generations before you.

Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)

1 of 4 people found the following review helpful:

1.0 out of 5 stars Last days seem like years, 16 Jan 2006

By	E. A Solinas "ea_solinas" (MD USA) - See all my reviews (TOP 10 REVIEWER) (REAL NAME)

Edward George Bulwer-Lytton is best known for coming up with the immortal phrase that Snoopy is always typing: "It was a dark and stormy night." Unfortunately, he's never that concise in "Last Days of Pompeii," a bloated and melodramatic historical novel that takes a volcanic eruption and makes it.... boring.

It focuses on the final days of the ancient Roman city of Pompeii, which was buried in a volcanic eruption in 79 A.D. In particular, it focuses on a virtuous young Roman man, Glaucus, who is stuck in a love quadrangle with a beautiful, equally virtuous young lady, a blind slave girl, and a sinister Egyptian who beguiles the lovley young lady.

In the background is a turmoil of religious and social problems, with a deadly volcano smoldering behind it all. Then, a murder is committed -- and Glaucus is arrested for the crime, and sentenced to be sent into the arena. When Vesuvius blows, will any of them survive?

"The Last Days of Pompeii" is one of those novels that had immense promise. Unfortunately, Bulwer-Lytton turns it into a Roman soap opera. Rather than focusing on the more interesting aspects of Pompeii, Bulwer-Lytton decided to focus on a contrived web of very boring people.

It doesn't help that "Last Days of Pompeii" is also written in a chokingly dense style, very ornate and full of bad poetry. The dialogue is even worse, with lines like, "'With all his conceit and extravagance he is not so rich, I fancy, as he affects to be, and perhaps loves to save his amphorae better than his wit." Okay, whatever. The story might be more palatable, had Bulwer-Lytton not tried too hard -- many Victorian authors managed to communicate their stories without smothering the readers in faux-ancient prose.

Bulwer-Lytton also seems to have been showing off his knowledge of Roman architecture and clothing, since the descriptions of the atrium and triclinium are more complex than any character. He regularly interrupted the narrative just to lecture readers on historical trivia, on everything from medieval necromancy to Italian herbs -- not just annoying, but often irrelevant to the story at hand.

Apparently in the interest of keeping the novel "human," Bulwer-Lytton introduced some romantic tension. Unfortunately, his characters don't act like real people -- really, who would fuss about their love lives while escaping from an erupting volcano that has killed hundreds and destroyed two cities? It's hard to imagine anyone so oblivious and self-absorbed, but the annoying blind slave Nydia apparently can't think of anything else.

Glaucus is a paragon of virtue, despite what Romans of the time were like; he even converts to Christianity for no apparent reason, in keeping with the attempt to make him fit the Victorian ideal. On the flipside, Arbaces is a rather cartoonish -- even slightly racist -- villain, who is just there to make trouble because he wants to.

"The Last Days of Pompeii" is an intriguing idea for a novel, but a flop as Edward Bulwer-Lytton actually wrote it. Too bad the volcano didn't blow a lot sooner.