Amazon.co.uk Review
If there's any justice, it is only a matter of time before the work of the curiously-named DBC Pierre becomes essential reading for anyone interested in cutting-edge writing today.
Vernon God Little is a book that has a totally individual (and very quirky) identity, from a writer with a finger on the pulse of contemporary society (particularly its less comfortable aspects). Pierre is also a satirical writer in the vein of such talents as Terry Southern, and there is a manic quality to his work that makes the experience of reading him both disorienting and exhilarating. As a first novel, this is a remarkable achievement.
Teenager Vernon Gregory Little's life has been changed by the Columbine-style slaughter of a group of students at his high school. Soon his hole-in-the-wall town is blanketed under a media siege, and Vernon finds himself blamed for the killing (rather than the real culprit, a friend of Vernon's). Eulalio Ledesma is his particular nemesis, manipulating things so that Vernon becomes the fulcrum for the bizarre and vengeful impulses of the townspeople of Martirio. After a truly surrealistic set of events, Vernon finds himself heading for a fateful assignation in Mexico with the delectable Taylor Figueros (everyone in the book has names as odd as the author's).
By setting his novel in the barbecue-sauce capital of Central Texas, Pierre ensures that his narrative is going to be some distance from naturalistic writing. And as a scalpel-like satirical incision into the mores of contemporary America, reality TV and media hysteria, Vernon God Little often reads like a fractured modern-day take on such novels as John Kennedy Toole's A Confederacy of Dunces. --Barry Forshaw
--This text refers to an out of print or unavailable edition of this title.
Review
The terrorist atrocity that flattens skyscrapers or turns a busy nightclub into a crater is typically described by eyewitnesses as "like a film" and by novelists as an event too improbable for fiction. It is some years since Philip Roth wrote in a famous essay about a reality that is "a kind of embarrassment to one's own meagre imagination". It is this reality, the one you couldn't make up if you tried, which only makes sense as an insane film, that is the subject of this utterly original first novel about an American teenager falsely accused of a high school massacre, put on trial by television, and sentenced to death by lethal injection. Funnier than The Simpsons, closer to the knuckle than The Office, this is comic writing of the highest order. Pierre is a very clever and - quite possibly - extremely dangerous man.
--This text refers to an out of print or unavailable edition of this title.