The Looking Glass Wars (Hardcover)

Beddor imagines that Alice’s wonderland did indeed exist. That it was not fairy tale. Princess Alyss Heart was heir to the throne of Wonderland, but was cruelly usurped when her Aunt Redd stormed Wondertropolis and murdered her parents. Fleeing for her life, Alyss was transported to our world, to the world of Charles Dodgson and literary Oxford in the late 19th Century. Taken in by the Liddells, Alyss at first steadfastly refused to denounce her true bearing as fiction. But after years of convincing nobody of her origins and noble birth--Alyss Heart became Alice Liddell. And it was Alice Liddell who inspired Dodgson to write his legendary novel about her--despite Alyss’s accusations that he has cruelly twisted her story to make light of her heritage for entertainment.

Alyss’s Wonderland is an occupied land that must be freed. And Alyss eventually realises that she must once again go back to her true home and try to reclaim it. And it is going to be a bloody reckoning.

Beddor has pulled off a wonderfully complicated twist of creativity and his ambitious novel is on many levels enormously satisfying. The author has previously been a ski champion, stunt double and actor, but it is perhaps his continuing role as a Hollywood film producer that most influences his debut novel. The book is a visual feast that is begging to be made into a film. But for now, its life as a book is a deserved one. (Age 10 and over) --John McLay

Review
Alice in Wonderland gets an update in this first installment of a planned trilogy. Princess Alyss, driven out of her Wonderland kingdom by her evil aunt, Redd, suffers years of exile in Victorian England before her dedicated bodyguard, Hatter Madigan, finds her. Dragged back to the home she feared she had only imagined, it is now up to Alyss to rally her troops, drive out the usurper and claim her throne. Can she survive assassination attempts by the vicious Cat with nine lives, a spy amongst her faithful followers, a trek across the Chessboard Desert to Redd's fortress at Mount Isolation and a duel of White vs. Black Imagination? Penned by the producer of There's Something About Mary, it's clear that this version will make the transition to the big screen, as the book reads more like a screenplay than a novel. The action moves swiftly from one complex scene to the next; there is minimal character development and opportunities for rich detail are tossed away all too often in favor of simply moving the story forward. One can only hope it translates well to the screen. (Fantasy. 12-15) (Kirkus Reviews)

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