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Yellow Dog
 
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Yellow Dog (Hardcover)

by Martin Amis (Author)
3.6 out of 5 stars See all reviews (16 customer reviews)

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Product details

  • Hardcover: 352 pages
  • Publisher: Hyperion Books; First Edition edition (Nov 2003)
  • Language English
  • ISBN-10: 1401352030
  • ISBN-13: 978-1401352035
  • Product Dimensions: 24.1 x 16.3 x 2.9 cm
  • Average Customer Review: 3.6 out of 5 stars See all reviews (16 customer reviews)
  • Amazon.co.uk Sales Rank: 3,465,557 in Books (See Bestsellers in Books)

Product Description

About the Author
Martin Amis is the author of nine novels, two collections of stories and six collections of non-fiction. Koba the Dread, the successor to his celebrated memoir, Experience, was published by Cape in 2002. --This text refers to an out of print or unavailable edition of this title.

Excerpted from Yellow Dog by Martin Amis. Copyright © 2004. Reprinted by permission. All rights reserved.
1. Renaissance Man

But I go to Hollywood but I go to hospital, but you are first but you are last, but he is tall but she is small, but you stay up but you go down, but we are rich but we are poor, but they find peace but they find . . .

Xan Meo went to Hollywood. And, minutes later, with urgent speed, and accompanied by choric howls of electrified distress, Xan Meo went to hospital. Male violence did it.

'I'm off out, me,' he told his American wife Russia.

'Ooh,' she said, pronouncing it like the French for where.

'Won't be long. I'll bath them. And I'll read to them too. Then I'll make dinner. Then I'll load the dishwasher. Then I'll give you a long backrub. Okay?'

'Can I come?' said Russia.

'I sort of wanted to be alone.'

'You mean you sort of wanted to be alone with your girl-friend.

' Xan knew that this was not a serious accusation. But he adopted an ill-used expression (a thickening of the forehead), and said, not for the first time, and truthfully so far as he knew, 'I've got no secrets from you, kid.'

'. . . Mm,' she said, and offered him her cheek.

'Don't you know the date?'

'Oh. Of course.'

The couple stood embracing in a high-ceilinged hallway. Now the husband with a movement of the arm caused his keys to sound in their pocket. His half-conscious intention was to signal an ?.impatience to be out. Xan would not publicly agree, but women naturally like to prolong routine departures. It is the obverse of their fondness for keeping people waiting. Men shouldn't mind this. Being kept waiting is a moderate reparation for their five million years in power . . . Now Xan sighed softly as the stairs above him softly creaked. A complex figure was descending, normal up to the waist, but two-headed and four-armed: Meo's baby daughter, Sophie, cleaving to the side of her Brazilian nanny, Imaculada. Behind them, at a distance both dreamy and self-sufficient, loomed the four-year-old: Billie.

Russia took the baby and said, 'Would you like a lovely yoghurt for your tea?'

'No!' said the baby.

'Would you like a bath with all your floaty toys?'

'No!' said the baby, and yawned: the first lower teeth like twin grains of rice.

'Billie. Do the monkeys for Daddy.'

'There were too many monkeys jumping on the bed. One fell down and broke his head. They took him to the doctor and the doctor said: No more monkeys jumping on the BED.'

Xan Meo gave his elder daughter due praise.

'Daddy'll read to you when he comes back,' said Russia.

'I was reading to her earlier,' he said. He had the front door open now. 'She made me read the same book five times.'

'Which book?'

'Which book? Christ. The one about those stupid chickens who think the sky is falling. Cocky Locky. Goosey Lucy. And they all copped it from the fox, didn't they, Billie.'

'Like the frogs,' said the girl, alluding to some other tale. 'The whole family died. The mummy. The daddy. The nanny. And all the trildren.'

'I'm off out.' He kissed Sophie 's head (a faint circus smell); she responded by skidding a wet thumb across her cheek and into her mouth. And then he crouched to kiss Billie. --This text refers to the Paperback edition.


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Customer Reviews

16 Reviews
5 star:
 (5)
4 star:
 (3)
3 star:
 (5)
2 star:
 (3)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.6 out of 5 stars (16 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
15 of 15 people found the following review helpful:
3.0 out of 5 stars Enjoyable, but he's done it better before, 28 Jun 2004
By -meaulnes- (UK) - See all my reviews
(TOP 500 REVIEWER)   
This review is from: Yellow Dog (Paperback)
'Yellow Dog' is not Amis's greatest book, but it's definitely not 'Tibor Fischer's Uncle' bad. I enjoyed reading it, and it is a welcome return to the dark urban setting of 'Money', 'London Fields' and 'The Information', my favourite Amis books. It has the same bleakly comic feel, the same Dickensian characters, and the same sense of horror at the state of modern life. At points, Amis's language reaches the dizzying descriptive heights of his earlier books, but for the most part the descriptive language is oddly flat. For example, although it's a good image, the description of a 'firefighting sunset' towards the start of the book seems to be an oddly lazy description if you recall some of the memorable linguistic shimmies, nutmegs and stepovers of which this author is capable.

As usual with Martin Amis, the language, the humiliating situations, and the gleefully created characters are the most important thing, while the plot chugs away in the background, almost as an afterthought. The tabloid hack, Clint Smoker, is a classic Amis character, complete with a wonderful name, but he carries too many echoes of previous characters, such as Keith Talent ('London Fields') to get the reader too excited. The sense I got from this book was of an enjoyable pastiche of the Martin Amis that wrote 'Money', by a younger writer who is too in thrall to the senior writer to do something different.

The plot involves a number of interrelated stories populated by lovingly portrayed grotesques, from royals to gangsters. The much anticipated 'post 9/11' dimension of the story is not explicitly realised, but merely hinted at with strangely menacing descriptions of airplanes, and the raging desire for retribution felt by the main character, Xan Meo, after he is attacked. The world depicted here is definitely the world of horrid moral confusion of 9/11, war and tabloid cruelty, but the book doesn't seem to have many wise words to say about the situation.

If you are a fan of Martin Amis, you're likely to enjoy this book, but it probably won't linger in your mind as much as his other novels.

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24 of 27 people found the following review helpful:
4.0 out of 5 stars Amis on top form, 3 Sep 2003
This review is from: Yellow Dog (Hardcover)
Amis' new novel - his first full-length fiction since "Night Train" in 1997 - has provoked considerable response in the UK press. As usual, the controversy has less to do with the book itself, than with the rather tawdry infighting so redolent of the London literary scene. Little attention has been paid to the actual novel, which does in fact demonstrate Amis writing (almost) to the peak of his considerable powers.
The themes and characters are familiar Amis tropes - low life crooks, the upper classes, pornography, and the "category-error" of rampant male violence. But "Yellow Dog" does see Amis branching out in the form to an extent not seen since 1991's "Time's Arrow". While the prose is versatile, endlessly inventive and cuttingly precise, Amis opts here for a fragmented form, stuttering and abrupt, that brilliantly reflects his central concerns. This is very much a 21st century novel, and it is permeated with a feeling of discontinuity and dull paranoia. It is also, as we have come to expect, very, very funny.
Occasionally this style doesn't quite pull together, and the ending (as is usual for an Amis book) isn't quite satisfactory, but there is no one else in the country who is producing literature as edgy and stylised as this. Amis is a modern master, and "Yellow Dog", while not being the best introduction for new readers, is absolutely essential for anyone who wants an early reading of what this century is going to be like. And in an unusual twist for the Amis canon, the book does attempt a redemptive conclusion. Perhaps Amis' dark and cynical imagination is beginning to move out into the light.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars A difficult Amis, 26 May 2004
By Peter Fenelon - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
This review is from: Yellow Dog (Paperback)
First of all, Amis' writing in Yellow Dog has never been bettered - there are passages of absolutely blatant bravura writing, and at least two of his characters are immortals - tabloid journalist Clint Smoker and his rants are truly astonishing, and London hardman Joseph Andrews is a reductio ad absurdum of all his bad lads. For these characters alone it's worth reading, although the twist in one of Clint's plots is telegraphed a mile away and Andrews is really more of a catalyst than a character deeply involved with the plot.
And for a throwaway minor character, the psychotic footballer Car is absolutely splendid.

But there are two structural problems with the book.

First, it's impossible to care about the protagonist Xan Meo. Recovering from a head injury and suffering from personality changes his descent into "anti-fatherhood" is uncomfortable reading, but we barely get to know him beforehand; we owe him no sympathy, and without knowing more about him we can't know whether his wrongs are really new behaviour...

Secondly, the King. Amis invents an entirely parallel universe, invents several generations of monarchy, and ends up producing an occasionally embarrassingly poor satire of Prince Charles in King Henry XI; his Queen lying in a persistent vegetative state in a Scottish hospital. Henry also has problems with his daughter, who has been captured on film in a compromising position... again, though, the "twist" is telegraphed and there is no element of surprise when we find out what's happening.

There's a great pure-Amis black comedy subplot about a corpse on a plane, some meaningless cosmic speculation, and all in all a plot (such as it is) that just sort of stops rather than coming to a coherent end.

I enjoyed most of Yellow Dog immensely, but looking back on it, it didn't have the coherence of Amis' finest novels; it lacked the savagery and scope of London Fields, the formal revenge tragedy of The Information, or the sustained black comedy of Money. It's a pity that the structure of the book failed, because I think it contains some of Amis' finest writing yet.

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Most Recent Customer Reviews

3.0 out of 5 stars WE ARE NOT AMUSED
Juvenal called his book of satires a `farrago', and the word fits Yellow Dog very well. It's satire, it's a farrago of many different themes and plots, and it's a very clever... Read more
Published 5 months ago by DAVID BRYSON

2.0 out of 5 stars Yellow Dog? Dog's dinner
Amis's first novel proper since 1996's The Information is a profound disappointment. The "great stylist" seems to have started believing his press and delivered a book that is all... Read more
Published on 2 Aug 2004 by Thirsty Dog

3.0 out of 5 stars Decidedly average
This is the first book by Martin Amis that I've read, and if its indicative of the quality his other books, then I think it will be my last. Read more
Published on 28 Jul 2004 by J. Poulton

5.0 out of 5 stars crash, bang, where's me cheesy wotsit
It's silly to worry about Yellow Dog. If you live in England and watch the telly and get haughty then you'll have nothing to worry about. You won't understand it. Read more
Published on 25 Jul 2004 by 2cleverbyhalf

5.0 out of 5 stars A difficult Amis
First of all, Amis' writing in Yellow Dog has never been bettered - there are passages of absolutely blatant showboating, wonderful flights of language, and at least two of his... Read more
Published on 26 May 2004 by Peter Fenelon

3.0 out of 5 stars Heavy-Handed Satire of Porn, Sexual Relations and Pretension
Do you ever feel like you cannot escape someone trying to sell you unwanted pornography, sexual aids, "dating services", information about "celebrities" and ridiculous ideas for... Read more
Published on 5 May 2004 by Professor Donald Mitchell

5.0 out of 5 stars Don't believe the anti-hype
Structurally tight, balanced, accurate, and most importantly, very funny, Yellow Dog is nothing like the book that was inexplicably panned by some critics. Read more
Published on 5 Feb 2004

2.0 out of 5 stars Disappointed
I'm as big an Amis fan as they come. Money and London Fields are genius. Is there a more compelling character in modern lit than John Self and his Fiasco? Read more
Published on 9 Jan 2004 by Sushi La Boy

2.0 out of 5 stars Neither as good nor as bad as you've heard
Spasmodically funny, clever and inventive it may be, but there's nothing here to engage the reader emotionally, and the intellectual bite of the novel isn't enough to justify such... Read more
Published on 17 Nov 2003

4.0 out of 5 stars Amis is always good, but this isn't my favourite.
Like a number of other reviewers, I think Martin Amis is among our best writers.

But although I enjoyed this book, it felt a little too contrived for me to be really absorbed... Read more

Published on 1 Oct 2003 by David Glover

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