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Extremes: Contradictions in Contemporary Japan
 
 

Extremes: Contradictions in Contemporary Japan (Paperback)

by G.M. Thomas (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)
Price: £12.95 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Paperback: 256 pages
  • Publisher: Kaichan Europe (26 Nov 2004)
  • Language English
  • ISBN-10: 0954678907
  • ISBN-13: 978-0954678906
  • Product Dimensions: 23 x 15.6 x 2.2 cm
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 355,634 in Books (See Bestsellers in Books)
  • See Complete Table of Contents

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Product Description

Synopsis

This book captures the extraordinary experiences of living and travelling across Japan and is intended to change the way we view Japan's modern society. It reveals the two Japans that exist alongside one another: one familiar, the other hidden and almost invisible to most foreigners. It moves from the gentle rhythms of the Inland Sea and the grave of a long-dead British naval officer to the sins and abasements in the heart of Tokyo, where any fetish is on tap. The Japanese define their relations with society based on tatemae (their external obligations to society) and honne (their inner and hidden aspirations). This applies not only to the way people conduct their lives but also to many aspects of Japan's contemporary society. Much is sanitised for everyday external consumption. The other world is hidden, only seen occasionally -- if at all -- by the visiting foreigner. This is not, though, a book of ancient versus modern or rural versus urban. The puzzle is more complex and in attempting to unravel it, conventional wisdom is challenged. The author found a people who whilst sharing much in common, living in an amorphous middle class society, actually live life experiencing signific


From the Publisher

The author was president of the Japanese office of Saatchi & Saatchi and is an authority on Japanese contemporary art. He considers the social underpinnings of Japan that have survived its contact with the West and the advances that have given it its patina of modernistic sophistication. He lends an ear to the voices of modern Japanese society, visits low and high culture, and calls time on Western visitors who drop by to sell themselves and their arts. The Times, 29th January 2005.

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2 Reviews
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Average Customer Review
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1 of 1 people found the following review helpful:
5.0 out of 5 stars A Must Read, 31 Oct 2008
I enjoyed this book.
Having seen it reviewed in both The Times and Time Out and as I was about to move to Japan, I decided to buy it. That was two years ago.
I first read it before leaving and had no idea whether it provided any useful insight in to the country and people or not. Certainly, it gave a different perspective than most books on Japan.
Two years later I am convinced that this is a unique book, uncovering aspects of Japan that most of us gaijin never - and will never - see. And the juxtaposition of the views of 19th century writers and Thomas' works.
Is it the best book on Japan? I doubt it. Richie is a better writer for sure but he doesn't quite get 21st Century Japan. Thomas does. And he does uncover the inherent contradictions that underpin Japanese society but exposes them in a subtle way.
This is not an academic book and more a memoir than anything else. But as it is searchable on amazon, potential buyers can make their own decision.
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1 of 4 people found the following review helpful:
1.0 out of 5 stars Banal and shoddily compiled, 26 Sep 2008
By Mr. GJ Hollands (London, UK) - See all my reviews
(REAL NAME)   
I was extremely disappointed in this book. The opportunities for such a book are great and the premise on the back cover sounded enticing (if you bypass the awful author biography, which praises the writer's supposed creativity), but the reality is very different.
The first thing that hit me was the sloppy and amateurish nature of the content with frequent spelling and grammatical errors. I simply cannot fathom how a book can be published in this state. Secondly, the quality and pitch of the writing often resembles a teenager's holiday journal. It is certainly not erudite, as the cover proclaims, and consists largely of trite and uninsightful observations. It reads like the work of someone who was never truly immersed in Japanese life (not surprising when you consider that he worked for a global advertising agency in Tokyo) although if you are interested in Japan from a privileged visiting foreigner's perspective then this might be to your taste. Either way, the writer doesn't often show signs of having the mental tools or imagination to develop and communicate his thoughts to the reader in an engaging way.
There are some interesting passages and events documented, but far less than you would expect given such potentially rich material.
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