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Reggae and Carribean Music (Third ear)
 
 

Reggae and Carribean Music (Third ear) (Paperback)

by Dave Thompson (Author) "The vivid spectacle of the Caribbean Carnival dates back to the era of the Spanish conquest and the introduction of the traditional Shrovetide festivities, the..." (more)
4.0 out of 5 stars See all reviews (1 customer review)
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Product details

  • Paperback: 350 pages
  • Publisher: Backbeat Books (30 May 2007)
  • Language English
  • ISBN-10: 0879306556
  • ISBN-13: 978-0879306557
  • Product Dimensions: 23.4 x 19.3 x 3.3 cm
  • Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 723,606 in Books (See Bestsellers in Books)

    Popular in this category:

    #82 in  Books > Music, Stage & Screen > Music > Styles > Dance, Rap & Reggae > Reggae
  • See Complete Table of Contents

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Product Description

Product Description
More than a guide to influential artists and recordings, this unique book highlights the rich historical development of the music that has emerged from the Caribbean to gain worldwide appeal. Because the geography of this music is so important, and its styles so diverse, the guide's essays are divided into two main sections. "Carnival" explores the musical carnivals, their competition winners, and general music scene on each of the 15 islands and island clusters - from the Bahamas to Guyana to the Virgin Islands. These essays go into great depth for the key areas of Trinidad, Jamaica, and Barbados. "Music" examines the musical and cultural aspects of the region's major styles: calypso, chutney, dancehall/ragga, dub, lover's rock, mento, nyahbingi, rapso, roots reggae, ska/rocksteady, soca, and toasting. Engaging biographies portray the intriguing lives and careers of 150 leading performers, while insightful reviews describe and rate over 3,000 albums that exemplify their unique sound and musical impact. This guide also includes a directory of 5,000 West Indian single recordings with anecdotal summaries, 500-plus artist and producer profiles, and over 1,000 reviews. Featured artists include Bob Marley and the Wailers, Jimmy Cliff, Peter Tosh, Ziggy Marley, Lord Kitchener, Mighty Sparrow, Buju Banton, Prince Buster, Arrow, Brother Resistance, Calypso Rose, Sir Lancelot, David Rudder, Kindred, Sundar Popo, Joseph Spence, Third World, Sly and Robbie, Wailing Souls, and dozens more.

About the Author
Dave Thompson has published over 70 rock music books, including the best-selling Never Fade Away: The Kurt Cobain Story. He has written articles for Alternative Press, Rolling Stone, Mojo, Goldmine, Melody Maker, Record Collector and many others, as well as liner notes for such artists as Lou Reed and Pink Floyd. Thompson also wrote the Third Ear guides Funk and Alternative Rock.

Inside This Book (Learn More)
First Sentence
The vivid spectacle of the Caribbean Carnival dates back to the era of the Spanish conquest and the introduction of the traditional Shrovetide festivities, the prelude to the 40 days of fasting which begin on Ash Wednesday. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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4.0 out of 5 stars Quality reference work, though a little patchy in coverage, 24 May 2009
There are several good books on Caribbean Music, and if you're looking for a history that you can read from cover to cover, this isn't it (try 'Reggae Routes' and 'The Rough Guide to Reggae'). Where this book comes in to its own, however, is the bios of some of the major stars of Caribbean music. These are far better researched and written than those found in other books (e.g. Larkin and Moskowitz's largely unreliable tomes). The book starts with a section on the various Caribbean carnivals with lists of competition winners, before the second section, which makes up the bulk of the book, an encyclopedic-format A to Z of artists, labels, festivals and genres. Part 3 has useful potted bios of the top reggae producers (the pan-caribbean focus gets a little lost here), and Part 4 is a directory of singles covering the period between 1957 and 1972 (why it stops there is anyone's guess), which makes no claims to being comprehensive (see Roots Knotty Roots for a more comprehensive singles discography) but is useful as a reference. What's a little curious is the absence from the bios section of artists such as Delroy Wilson, Keith Hudson (covered briefly in the Producers section), Cornell Campbell, etc., while substantial bios are devoted to the likes of The Baha Men and Eddy Grant. The book seems like a really good project that didn't get finished - it doesn't cover as much as it should but what's there is very good. Hopefully Thompson will get round to a more comprehensive second edition at some point in the future.
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