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Product Description
Product Description
Corsets and Crinolines is a study of the changing shapes of women's dress and how these were produced.
From the Back Cover
The first of Miss Waugh's important books on historic costume, Corsets and Crinolines, set a new standard of accuracy and interest. Showing that the silhouette of women's dress has been in a state of continuous change, allied to economic and architectural evolution as well as changing ideas of sexual attractiveness, she itemises three cycles in the last 400 years in which women's silhouette was blown up to the utmost limit, by artificial means, and then collapsed again to a long straight line. At these points the extremes were invariably considered absurdities and the corsets and hoops were discarded by their users, so that in actuality very few specimens from the earlier periods at least have come down to us.
This book is a study of these shapes and how they were produced, how simple laced bodices became corsets of cane, whale-bone and steel, while padding at shoulders and hips gave way to the structures of farthingales, hoops and bustles. Since paintings, prints and photographs of these props are not sufficient to convey their three-dimensional form, Miss Waugh has provided structural drawings and patterns, always made from existing specimens. Each period is enlivened by quotations from contemporary sources - from letters, diaries, satiric poems, tailors' and dressmakers' bills, as well as journalists' accounts, often very amusing in themselves. These describe the garments and their under-structures, and show how they were viewed by the people who saw them. Added are an index, a glossary of terms and materials, appendices on the repair and manufacture of corsets and crinolines, on whalebone and the whale fishery that supported it.
This book is a study of these shapes and how they were produced, how simple laced bodices became corsets of cane, whale-bone and steel, while padding at shoulders and hips gave way to the structures of farthingales, hoops and bustles. Since paintings, prints and photographs of these props are not sufficient to convey their three-dimensional form, Miss Waugh has provided structural drawings and patterns, always made from existing specimens. Each period is enlivened by quotations from contemporary sources - from letters, diaries, satiric poems, tailors' and dressmakers' bills, as well as journalists' accounts, often very amusing in themselves. These describe the garments and their under-structures, and show how they were viewed by the people who saw them. Added are an index, a glossary of terms and materials, appendices on the repair and manufacture of corsets and crinolines, on whalebone and the whale fishery that supported it.
Inside This Book
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First Sentence
THE soft, flowing lines of the mediaeval period followed the natural figure; no artificial shape was given to the body. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
THE soft, flowing lines of the mediaeval period followed the natural figure; no artificial shape was given to the body. Read the first page
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Concordance
Browse Sample PagesConcordance
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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63% buy the item featured on this page: Corsets and Crinolines £28.07 |
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13% buy Corsets: Historic Patterns and Techniques £13.50 |
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9% buy The Basics of Corset Building: A Handbook for Beginners £12.88 |
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9% buy Patterns of Fashion: v.1: Vol 1 £13.00 |
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