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Tracey Emin
 
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Tracey Emin (Hardcover)

by Carl Freedman (Author), Honey Luard (Author)
3.2 out of 5 stars  See all reviews (5 customer reviews)
RRP: £40.00
Price: £27.45 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Frequently Bought Together

Tracey Emin + Strangeland + Sensation: Young British Artists from the Saatchi Collection
Price For All Three: £47.42

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Product details

  • Hardcover: 414 pages
  • Publisher: Rizzoli International Publications; illustrated edition edition (10 Jan 2006)
  • Language English
  • ISBN-10: 0847828778
  • ISBN-13: 978-0847828777
  • Product Dimensions: 32.6 x 25 x 3.8 cm
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon.co.uk Sales Rank: 289,519 in Books (See Bestsellers in Books)

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Product Description

Synopsis

The extensive text is based on a long friendship and hundreds of hours of discussion between Emin and Carl Freedman, himself a renowned gallerist and art publisher. This book covers her work in all media: drawing, sculpture, film, photography, and writing. David Bowie called Emin while critics describe her art as full of passion, striving, and liveliness. Tracey Emin produces what can best be described as autobiographical art. Her works have included the famous embroidered tent Everyone I Have Ever Slept With 1963-95 (1995), the book about her childhood Exploration of the Soul (1994), the Tracey Emin Museum in a shop in London (1995-98), and her bed, My Bed (1998) at the Tate. Saatchi's 1997 exhibition Sensation at the Royal Academy of Arts (and later to the Hamburger Banhof in Berlin and the Brooklyn Museum of Art) cemented her reputation. The show attracted some high profile criticism but audiences remain fascinated by the raw openness of her work. Though she didn't win the 1999 Turner Prize, critics noted that the public visiting the Tate's exhibition were much more visibly engaged by Emin's work than that of the other Turner Prize nominees.

In her multimedia work she uses sewing, neons, videos, Super-8 films, photographs, watercolors, and is also a compulsive writer. Emin's art is highly confessional, for she makes her life known as well as her beliefs and her feelings. Her life and art are inextricably entwined. Her work is a controlled exhibition of the self: often tragic, sometimes funny.


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Customer Reviews

5 Reviews
5 star:
 (2)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
3.2 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
2 of 3 people found the following review helpful:
4.0 out of 5 stars One thousand drawings, 17 Jul 2009
By K. Marshall (Notts, UK) - See all my reviews
(REAL NAME)   
A vast book of Tracey Emins drawings from the last 20 years. For me, this book is the next best thing to owning some of Emin's drawings.
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3 of 9 people found the following review helpful:
5.0 out of 5 stars Deep inside, 18 Nov 2007
By I. Stipala "Ivan Stipala" (UK) - See all my reviews
(REAL NAME)   
Excelent in-depth review of artists work and explanation of her life and work in the form of a series of long interviews, and commentaries from her video and film work. Very strong original individual feminist angle on modern art.
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1 of 5 people found the following review helpful:
1.0 out of 5 stars Far more quantity than quality., 27 Jul 2009
Sadly this expensively produced book is little more than a predictable batch of scratchy, and willfully bad drawings and doodles. On viewing the book it soon becomes very obvious that there is a painful lack of real experimentation and development in this work. Emin's characteristic use of the monotype line provides an obvious attempt to pump some life into her mark-making and much of her work clings to this technique. However this soon becomes every bit as tired and wearisome as the drawings' self-obsessed content.

Doubtless her supporters would claim this gauche, anti-art, charmlessness is in fact central to her aim. This is ofcourse nothing new, Maggi Hambling has been doing this better and for decades before Emin. In order to enjoy this and indeed ALL of her work you would need to feel a great deal of sympathy for and interest in Emin's pseudo-solipsistic outlook on life. (Needless to say I don't.)

By way of contrast, students of visual art ( who Emin laughably recommends this book to) would do well to look instead to the work of Kathe Kollwitz if they wish to see powerful emotion brilliantly expressed graphically.
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Most Recent Customer Reviews

5.0 out of 5 stars a journey with line

A journey of images.. this artist gets better and better. Emotionally exhusting to view her work in parts. Read more
Published 1 month ago by A. Gelder

1.0 out of 5 stars 1000 scribblings too many
I wish that the person who told Tracey Emin that she could draw hadn't. Unfortunately this book is testament that anything can be published for the sole reason of making money... Read more
Published 1 month ago by Nice Biscuit

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