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The Mind of the Maker
 
 

The Mind of the Maker (Paperback)

by Dorothy L. Sayers (Author), Susan Howatch (Introduction) "THE word "law" is currently used in two quite distinct meanings ..." (more)
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Paperback: 208 pages
  • Publisher: Continuum International Publishing Group Ltd.; New edition edition (9 Sep 2004)
  • Language English
  • ISBN-10: 0826476783
  • ISBN-13: 978-0826476784
  • Product Dimensions: 21.3 x 13.7 x 1.8 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 461,072 in Books (See Bestsellers in Books)

    Popular in this category:

    #41 in  Books > Fiction > Authors, A-Z > H > Howatch, Susan

Product Description

Amazon.co.uk Review

Best known for her Lord Peter Wimsey mysteries, Dorothy Sayers was also a playwright, essayist and translator of Dante. C.S. Lewis said that he liked her "for the extraordinary zest and edge of her conversation--as I like a high wind". The reader gets a fair taste of that wind in this book, her study of the human (and divine) creative process. Beginning with some stingingly humorous words for the education process (which has produced, she says, "a generation of mental slatterns") she then explores the trinitarian nature of creativity. Here she identifies the Christian concept of the Holy Trinity--God, Son, Holy Spirit--with three elements of creation: first, the Idea, "passionless, timeless, beholding the whole work complete at once, the end in the beginning"; then the Creative Energy, "begotten of that idea, working in time from beginning to end", manifesting the Idea in matter; and finally the Creative Power, "the meaning of the work and its response in the lively soul"--in essence, what she calls "the indwelling Spirit".

In a plain, matter-of-fact style that readers will recognise from her mysteries, she reflects on the question of free will and miracle, evil and, ultimately, "the worth of the work". It is especially here, I think, in this final chapter that the book remains both timeless and profoundly timely. The artist stands for the true worker, she writes, who, while requiring payment for his work, as an artist "retains so much of the image of God that he is in love with his creation for its own sake". So too, ultimately, should it be for all human work: "That the eyes of all workers should behold the integrity of the work is the sole means to make that work good in itself and so good for mankind. This is only another way of saying that the work must be measured by the standard of eternity". --Doug Thorpe --This text refers to an out of print or unavailable edition of this title.



Product Description

Dorothy L. Sayers' great lay contemporaries in the Church of England were T. S. Eliot, C.S. Lewis and Charles Williams, but none of them wrote a book quite like The Mind of the Maker. In this crisp, elegant exercise in theology, Sayers illuminates the doctrine of the Trinity by relating it to the process of writing fiction, a process about which she could speak with complete authority. She illustrates her thesis with many examples drawn from her own books, and even illuminates the Christian heresies by analyzing certain failures of creation that regularly occur in literature. This marvellous classic describes the creative process in terms of the arts and shows that literature can cast light on theology, and vice versa.

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THE word "law" is currently used in two quite distinct meanings. Read the first page
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Sayers, as she says proposes to explain the Trinity of God, 4 Jun 2001
This is a series of essays on the nature of the Trinity of God. In order to bring it home to us Sayers writes in terms of the creative experience. Sayers explains using her experiences as a writer and as a playwright. She describes, explains, gives examples and, in general tries to define the creative experience. Not God's creative experience, ours! Not just the methods and means of writers and playwrights but she also applies it to painting, sculpture, any and all artistry and craft. It is a large concept. Yes, that is an understatement, but I cannot find a word suitable enough to fit such a scheme. However, as far as I am concerned she makes her position on the subject quite clear, and in doing so teaches me how much I don't know about things that, unfortunately, just get taken for granted, without any real understanding.

She is, as always, readable, entertaining, lucid, funny and right on the button. Her explanations range through time and space, from the nature of "Laws", through Aristotle, St. Thomas Aquinas, and contemporary authors to a comprehensive explanation of the Creed. She even manages to use examples of various failures in literature that explain why something is not quite as good as it should be. Anyway, read the book it explains things much better.

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