Invisible New York: The Hidden Infastructure of the City (Creating the North American Landscape) (Hardcover)

"This stately and haunting collection of large-format black-and-white photographs reveals the city's hidden -- and, in many places, crumbling or decrepit -- infrastructure: a vault beneath the Brooklyn Bridge, once rented to a wine merchant for champagne storage; weed-encrusted Nike missile silos adjoining Potter's Field, on Hart Island; the massive remains of the West Side piers, rotting into the Hudson. Alongside these images, even the newly functional attic space above the ceiling in Grand Central Terminal (where the bulbs inside the constellations get changed) and the nuclear-blast-resistant water tunnel still under construction beneath the Bronx take on an Ozymandian melancholy." -- New Yorker

"An old missile silo serves as a graveyard; dams and disused waterworks maintain a stolid silence; corroded railyard shelters sag dangerously; powerful cables anchor the Brooklyn, Manhattan, and Verazzano Narrows bridges; and the unglamorous roof of Grand Central Terminal juts resentfully up at the brick buildings in this airspace in some of the 53 elegantly composed b&w photos in Invisible New York.." -- Publishers Weekly

"Through haunting black-and-white photos of 53 little-seen spots in and around New York City, many of which are closed off to the public because of security concerns, [Greenberg] offers a moody, sometimes wistful take on the mechanical and natural guts of the city." -- Laurel Touby, New York Daily News

"Artful... Greenberg takes us into the city's infrastructure: a subway station too short for today's trains; a catwalk high in Grand Central Terminal; the massive underground anchorages of the Manhattan and Verrazano-Narrows bridges; collapsing West Side piers; the Lunatic Asylum in ruins on Roosevelt Island. Most images reveal hidden workings, and some of these unseen places are charged with a dire message: You can live on the city's surface only if you take care of its guts." -- Allen Freeman, Preservation

"When most people, including New Yorkers, think about New York, they think only of its outer parts -- skyscrapers, bright lights, monuments, parks. Photographer Stanley Greenberg has here shown us what lies at the base of the amazing city, in a stunning series of 53 black-and-white photographs of water tunnels, dams, docks, catwalks, power stations, turbines, gatehouses and the massive anchorage of suspension bridges... His book is a record of both the functioning and the vanishing underpinnings of the city, the flip side of picture postcards -- coherent, visually magnificent and awesome in its scale. More than anything, you come away with a sense of how small you are next to the huge cooperative vision that built the metropolis." -- Peter Kurth, Salon

"The most intense images of Stanley Greenberg's historical record are, for many, the ones we may least wish to see. These are the photographs of the ruins of our technological past. Such places, once busy but now dead and empty, lie scattered around almost every American city of any age. We refuse to acknowledge them and their existence slips beneath our vision... Greenberg leads us to these sites and makes us look at the documents of the forced march of technology; his photographs raise necessary questions not only about technological obsolescence, but also about civic responsibility and corporate culpability -- the agents that conspired to create these places." -- Thomas H. Garver, from the Introductory Essay

"Combining the luminous clarity of Charles Sheeler with a Piranesian nose for ruins, photographer Stanley Greenberg has been documenting the forgotten, often ravaged, grandeur of New York's urban infrastructure for several years." -- Janet Abrams, I. D. Magazine, reviewing a previous edition or volume

"Stanley Greenberg has been photographing New York's hidden infrastructure for... years. The result is a haunting film noir of the corroded, undermaintained machinery -- bridge supports, turbines, water valves -- that still does its best to make the city tick." -- Herbert Muschamp, New York Times, reviewing a previous edition or volume

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