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Synopsis
Including his own work among that of featured photographic artists, James (Art Institute of Boston) explores contemporary and traditional innovative alternative and non-silver processes in a conversational, opinionated manner. He overviews historical development and options for the pinhole camera, the negative, digital art forms, plastic cameras, a
Including his own work among that of featured photographic artists, James (Art Institute of Boston) explores contemporary and traditional innovative alternative and non-silver processes in a conversational, opinionated manner. He overviews historical development and options for the pinhole camera, the negative, digital art forms, plastic cameras, a