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Cybersociety 2.0: Revisiting Computer-Mediated Community and Technology (New Media Cultures)
 
 
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Cybersociety 2.0: Revisiting Computer-Mediated Community and Technology (New Media Cultures) (Paperback)

by Steve Jones (Editor) "It seems that in the few years since the Internet's rise from a network of computers to popular cultural (and commercial) icon, metaphors are no..." (more)
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Product Description

Product Description

Like its predecessor, the bestselling CyberSociety, published in 1994, Cybersociety 2.0 is rooted in criticism and analysis of computer-mediated technologies to assist readers in becoming critically aware of the hype and hopes pinned on computer-mediated communication and of the cultures that are emerging among Internet users. Both books are products of a particular moment in time, and serve as snapshots of the concerns and issues that surround the burgeoning new technologies of communication.

After a brief introduction to the history of computer-mediated communication, each essay in this volume highlights specific cyber `societies' and how computer-mediated communication affects the notion of self and its relation to community. Contributors probe issues of community, standards of conduct, communication, means of fixing identity, knowledge, information and the exercise of power in social relations.



About the Author

Steve Jones is professor and head of the Department of Communication at the University of Illinois at Chicago. He is author/editor of numerous books, including Doing Internet Research, The Encyclopedia of New Media, CyberSociety, and Virtual Culture. He is co-founder and president of the Association of Internet Researchers and co-editor of New Media & Society, an international journal of research on new media, technology, and culture. He also edits New Media Cultures, a series of books on culture and technology for Sage Publications, and Digital Formations, a series of books on new media for Peter Lang Publishers.

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It seems that in the few years since the Internet's rise from a network of computers to popular cultural (and commercial) icon, metaphors are no longer necessary for its description. Read the first page
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