Most Helpful Customer Reviews
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39 of 39 people found the following review helpful:
4.0 out of 5 stars
Warning: Buy British!!!, 20 Sep 2002
By A Customer
Neverwhere is a fantastic piece of modern fantasy and I suggest that everyone who likes London and the surreal read it. I give it 5 stars, usually, but... DO NOT BUY THE AMERICAN VERSION!!! This is a British book, and the American version has been sorely edited. And I'm not talking about the second prologue, either. All my favorite lines are missing from the Avon printing. Apperantly Americans couldn't handle funny lines in serious scenes... So he edited out much good humour. Look, it's less good. Buy British!
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28 of 28 people found the following review helpful:
5.0 out of 5 stars
Mind the Gap, 14 Dec 2004
Everybody traveling in London by Tube, is familiar with the loudspeaker's warning "Mind the Gap", that is the space between platform and train carriage. Reading Gaiman, "Gaps" takes on a much more complex meaning... People can fall through the cracks, literally, not only down onto the rails but much deeper, ending up in "London Below". Richard Mayhew, a young man with nothing much happening in his life, is an unlikely Samaritan. Still, when confronted with a choice he follows his charitable instinct and assists a wounded rag girl he finds lying in the street. To save her from her apparent killers he goes on a quest and from this moment his life turns into a rollercoaster of discovery and danger. "Neverwhere" is a brilliant yarn of life in the underbelly of the city, with shady human characters, speaking rats and special "guides". There is more than one reality for sure. In London Above, Richard and the rag girl, named appropriately "Door", can be seen but not recalled beyond the moment. The real-life maze of London underground tunnels, hidden passageways and dead ends provide the existent, yet twisted, backdrop to the story. Time and distances have no meaning. The names of tube stations acquire new relevance: the Earl resides at Earl's Court, the black Friar monks are in Blackfriars and Islington is an Angel. Following Door and her unusual companions, Richard discovers the limits of his endurance. He has to question his existence and reality. While his desire to get back to his normal life keeps him going, his chances to shake loose from the shadowy underworld increasingly appear to diminish... The novel, which expands on Gaiman's successful tv production, is a fascinating read, whether you know London or not (yet). His style is fluid and engaging, his characters are very much alive and moving the various layers of intrigue along at a good pace. [Friederike Knabe]
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53 of 56 people found the following review helpful:
5.0 out of 5 stars
Mind the Gap..., 14 Jun 2006
Richard Mayhew has just been "a Good Samaritan" to a girl lying bleeding on a London pavement, and has thereby ruined his entire life. The girl, you see, a young lady by the name of Door, is an important person in the world of "London Below", and some very unpleasant people are trying to kill her. By hiding her, Richard becomes "one of the people who fell through the cracks", invisible to the inhabitants of the normal world - London Above -and easy prey for the terrifying creatures of London Below. Until he finds Door again, and is sucked into her quest to find the murderers of her family...
Gaiman has created an eerie otherworld in the sewers of London and the tunnels and stations of the Underground that is complete in every detail and so interwoven with the "real" world that its frightening. Never having been to London, I'm starting to be a bit scared of the Tube Stations: real shepards at Shepards Bush (ones you don't ever want to meet), an earl in Earl's Court, saxophone players who live both in the Above and the Below, Old Bailey and Hammersmith are people, Knightsbridge is a bad neighbourhood...
And at the end you are left with enough answers to satisfy as concerns the main plotline, but not all the answers you want. There is so much detail in London Below that there are thousands of things begging to be explored and examined: The system of fiefdoms which apparently rules Below, but which is never really explained, the importance of Door's family, the Seven Sisters, the story of the swashbuckling, sardonic Marquis de Carabas (books could be written about him, he is undoubtably my favourite character) and more; really the list could go on forever. But that is what makes it all so convincing: Gaiman wastes no time explaining anything, he just tells the story. The spooky atmosphere and fast pace ensure that the somewhat predictable plot never gets boring - you don't even realise it was predictable until you come to the big showdown. And the end is just perfect.
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