Small Island (Paperback)

Told from the perspective of four different characters, it tells the story of the first wave of Caribbean immigrants to Britain following World War II, through the life of Airman Joseph Gilbert and his wife Hortense. Despite fighting against the Nazi's as a member of the RAF, when Gilbert returns to his 'Mother Country' with ambitions of training to become a Lawyer, all he finds in London is unfriendly faces, hatred, and a job as Royal Mail driver. However, he does find accommodation with Queenie Bligh, who, in need of rent, lets the empty rooms of her house to immigrants and faces just as much scorn and hatred from her neighbours as a result. Events soon come to a head when Queenie's husband, Bernard, returns home from India two years after the War has ended.

Andrea Levy's writing is superb - rich, observant, engaging and funny - her characters each have a unique voice and the story or characters are never patronising or preaching, which is a great achievement for a book about racism and bigotry. 'Small Island' is a beautiful and accomplished novel, and well worth reading.

Four characters alternate points of view, telling their stories with an honesty and vibrancy that make the tragicomedy of their lives both realistic and emotionally involving. Queenie Bligh, a white woman with a mentally ill father-in-law, takes in boarders when her husband Bernard does not return from war in India. Most of her boarders are black immigrants from the Caribbean, desperate men and women willing to pay high prices for small rooms. Gilbert Joseph, a Jamaican who participated in the Battle of Britain, is one of Queenie's tenants, working as a truck driver, the only job available to him. Gilbert's bride Hortense arrives from Jamaica with her heavy trunk a few months later, ready to show London her superior "British" manners. When Queenie's husband Bernard unexpectedly returns shortly thereafter, life at Queenie's changes forever.

These four characters, through their often touching first-person narratives, convey their hopes and dreams for the future, revealing, as their stories intersect, their personalities, family backgrounds, experiences in love, commitments to the Mother Country, economic predicaments, and, not incidentally, their prejudices.

Levy imbues this novel with fine detail, both in her descriptions of the physical surroundings and in the emotional subtleties with which her characters react to their postwar lives. Her ear for dialogue is exquisite, both in the everyday speech of Londoners and in the dialect and sentence patterns of Jamaicans. Casual, conversational tones bring the characters to life, while Gilbert's recognition of "the way things are" keeps the novel from becoming polemical or strident, despite its thematic emphasis on prejudice and injustice. Levy's touch is light, often humorous, and her scenes of amusing irony are nicely balanced by scenes of high drama.

The author's tendency to tie her male characters to real, historical events--the Hindu/Muslim riots in Calcutta (experienced by Bernard) and a race-based riot at a London movie theater (experienced by Gilbert)--and her reliance on extreme coincidence to conclude the action, do occasionally feel intrusive and manipulative, but this is a minor quibble. This hugely conceived novel has everything going for it--well-drawn characters, vivid descriptions of an unusual time in postwar London, important themes which are not beaten to death, and lively action and interactions which keep the reader constantly involved. Mary Whipple