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A Sin Of Colour
 
 

A Sin Of Colour (Paperback)

by Sunetra Gupta (Author) "It was not far from the railway station to the boarding house and he was able to drag his trunk across the road and down..." (more)
4.5 out of 5 stars See all reviews (2 customer reviews)

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Product details

  • Paperback: 224 pages
  • Publisher: Phoenix; New edition edition (1 Jun 2000)
  • Language English
  • ISBN-10: 0753810557
  • ISBN-13: 978-0753810552
  • Product Dimensions: 19.4 x 13 x 2.4 cm
  • Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 199,389 in Books (See Bestsellers in Books)

Product Description

Product Description
Debendranath Roy, in his mid-thirties, last seen entering a punt on the Cherwell, is believed drowned. Twenty years pass. His father has died, the woman he loved has grown more beautiful, while his English wife has grown reconciled to widowhood. Then Debendranth returns, to explain his actions and ask for help. The real hero of Sunetra Gupta's new novel is a house in Calcutta. Called Mandalay by its first British owner, it passes into the hands of the wealthy Roy family, and it is to Mandalay that Indranath Roy in the early thirties brings his clever but childlike young bride Reba. The family's fortunes fluctuate, independence and partition robs them of some of their wealth, but they remain in the house. It is the next generation and Reba's sons that eventually abandon it to ruin, making their own fortunes away from Calcutta. When Debendranath Roy returns to life it is to the gates of Mandalay, he comes expecting to find it as he left it, but instead he finds ghosts of his past.

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First Sentence
It was not far from the railway station to the boarding house and he was able to drag his trunk across the road and down the narrow street by halting every few steps to blow upon his frozen fingers, and allow himself to be briefly immersed in the perverse fantasy that he might never see her again. Read the first page
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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2 of 3 people found the following review helpful:
4.0 out of 5 stars A book to be savored, 12 Dec 1999
By A Customer
This review is from: A Sin Of Colour (Hardcover)
Sunetra Gupta's 'A Sin of Colour' is a book that took me quite some time to read. Not because it is a difficult read, but because I kept going back and forth to savor the words and language, something that very few books have made me do for some time now.

'A Sin of Colour' is about the choices made by its two main protagonists, Debendranath Roy and his niece Niharika during two different time periods, when both are in their late youth. Most of the action occurs in Calcutta and Oxford. Both are the victims of unrequited love; this colors their lives profoundly, eventually leading them to their sins. Debendranath Roy with Reba, married to his brother, famous, an artiste, musician and actress and Niharika with Daniel Faraday, married, friend of Morgan and the last man to have seen Debendranath alive.

Sections of the book are named after different colors, starting with amethyst and progressing through indigo, azure, jade, saffron, ochre and ending with crimson. Multiple sins of color, all revolving around the one sin which forms the basis of the book; Debendranath's retirement from this world, his ultimate freedom from the clutches of relationships and demands that are foisted upon most of us by the very fact that we live in the society that we do, a retirement that starts when he is assumed drowned in the waters of a river in Oxford. The sin of wanting true freedom, away from all bindings, social or otherwise; the ability to do what you want, when you want, the way you want to. The sin of 'sanyas'. The book keeps jumping back and forth in time, sketching the lives and times of three generations of the Roy family and the house of Mandalay. There is a lot of repetition, yet it does not affect the book's intent. So, though we know of Debendranath's love for Reba in the first ten pages or so and of Niharika and Daniel midway through the book, each repeated paragraph throughout the book unveils a new vignette, a new facet that further enhances our understanding of the relationships and keeps our interest alive. Almost like a Lego building block, to be built a little at a time, slowly and suspensefully.

Sunetra Gupta's use of words is interesting. The words play with each other, falling and tumbling, in long, uneven sentences, describing people, events and thoughts with the same verve as a film scene capturing the delicate nuances between the protagonists using gestures and mood-lighting with a minimum of action. For example, "The earnestness of their exchange is tinged with the candour of lovemaking, the desperate need to lay bare the soul before divesting the body of its wrappings, the need to delight in common goals and to rake out the differences of opinion before entering into a concourse where nothing of that sort is likely to matter, the need to establish faith and hope before progressing to love." Each character also evolves over time, a paint stroke at a time, such that even near the end of the book, there is still some new aspect that we delightfully discover. So Reba at the beginning of the book is "a beautiful woman who decorated her rooms nicely, baked excellent cakes, played exceptionally well on the esraj, and could scorn a person's indelicacy of manner with the faintest tilt of her eyebrows." Towards the end, "A formidable hush seemed to descend upon the forests of pine and cedar as she walked in stately silence through them with her daughter, and when upon the seashore she burst into song, the waves would foam in awe at her feet. She was still as aloof to strangers, but now she seemed more distracted than dismissive..."

Gupta's sentence constructions are different. Long sentences, some going on for almost half a page, filled with adjectives, descriptions, double metaphors, meandering through different thought processes and coming to a halt only when she seems to have run out of breath. The narrative unfolds in the nature of a conversational story-telling, picking one thread and jumping back and forth into the past and future, sometimes taking off on tangents and then coming back to the present to start another thread which also unfolds similarly. The dialogues interestingly, are all without quotes, and just blend in as part of the general narrative.

This is a book that has to be savored, like the last few licks of a honey nut crunch ice-cream swirling through our mouths, making us want more and more. There are three earlier books of hers, just waiting to be read.

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5.0 out of 5 stars very very colorful!, 14 Mar 2000
By A Customer
This review is from: A Sin Of Colour (Paperback)
this book is a MUST READ! very intresting.. the charcters are dipicted in a very realistic and personal way.. i feel as though anyone from India would relate well to this book.. it involves the readers emotions and take him/her on a fantastic voyage of self discovery, emotional upheavels and a feeling of living the lives of more than his/her own.. i recommend this book.. if you want to be lost in another world.. forget everything and just dive deep into the.. sin of colour...
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