Product Description
Are you a recording artist, songwriter, music business manager, music industry executive, publisher, music/TV/radio journalist, media student or lawyer? Are you fascinated by the world of the music industry that fills our daily papers? If the answer is yes, this book aims to tell you everything you need to know. Answering all the questions, demystifying all the jargon, revealing the facts behind the headlines and the real figures underlying those multimillion pound deals, this book offers a guide to the UK's most happening industry. The book covers music law in the UK and there are studies of cases involving some of the greatest British stars, including Elton John, Robbie Williams and George Michael. This textbook looks at all the leading cases, with background details and the author's views on their impact within the music business - how they changed the deals, the contracts and, in some cases, the whole way the business operates. "Music: The Business" describes the precedents that have helped shape the body of UK music law as it stands at the beginning of the 21st century, but, even more importantly in an age of exponentially rapid technological change, it shows the options for the future.
About the Author
Ann Harrison was born in 1958 in South Wales, later studying at the University of Surrey, where she received a BSc in German and Law. Ann qualified as a lawyer in October 1983 and, after a spell as a litigator in media law firms Davenport Lyons and Bartletts de Reya (now Mischon de Reya), she joined leading media and entertainment law firm Harbottle & Lewis in 1988. She became a partner in 1991 and now heads up the Music Group there. Harbottle & Lewis are the Year 2000 winners of the Legal Business Award for the Best Media & Entertainment film in the UK. Ann specialises in copyright and contract law, with increasing emphasis on new media and means of delivering music to the public, such as the Internet. She acts mostly for the 'talent' end of the music business: artists, producers, managers, independent labels and publishers. Ann wrote the music-industry section of the latest edition of the leading copyright textbook, Copinger and Skone-James on Copyright