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Product Description
Amazon.co.uk Review
Fleshmarket Close is not one of the best of Rankin's John Rebus thrillers, but his second-best is still more than excellent. Middle age is catching up with Rebus--he currently has no desk as a none-too-subtle hint from his superiors that he should seek retirement--but he and his friend and protegee Siobhan, who is still not his lover, race around investigating a variety of seemingly unconnected cases… The sister of a dead rape victim is missing; stolen medical skeletons turn up embedded in a concrete floor; a Kurdish journalist is brutally killed; the son of a Glasgow ganglord has moved in to the Edinburgh vice scene.
Fleshmarket Close is not one of the best of Rankin's John Rebus thrillers, but his second-best is still more than excellent. Middle age is catching up with Rebus--he currently has no desk as a none-too-subtle hint from his superiors that he should seek retirement--but he and his friend and protegee Siobhan, who is still not his lover, race around investigating a variety of seemingly unconnected cases… The sister of a dead rape victim is missing; stolen medical skeletons turn up embedded in a concrete floor; a Kurdish journalist is brutally killed; the son of a Glasgow ganglord has moved in to the Edinburgh vice scene.
Much of the book is dominated by two new settings--a sink estate divided between racist thugs and refugees, and a small town whose economy is dominated by an internment camp for those about to be deported; this is one of Rankin's preachier thrillers, but it is never less than intelligent and evocative in its descriptions of a contemporary squalor that spreads beyond the inner city. These are never quite orthodox police procedurals--Rebus' method is a little too like the standard private eye's way of wandering around being rude to people until something comes loose--but they have a deep seriousness about the way we live now that transcends mere noir moodiness.--Roz Kaveney
--This text refers to an out of print or unavailable edition of this title.
SUNDAY TIMES
'A compelling, thought-provoking narrative of modern urban life'
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First Sentence
'I'm not supposed to be here,' Detective Inspector John Rebus said. Read the first page
Front Cover | Copyright | Excerpt | Back Cover
'I'm not supposed to be here,' Detective Inspector John Rebus said. Read the first page
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Concordance
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Front Cover | Copyright | Excerpt | Back Cover