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12 of 13 people found the following review helpful:
4.0 out of 5 stars
Investigating criminals who operate "with public sanction.", 5 Dec 2003
Describing New Orleans as "an outdoor mental asylum located on top of a giant sponge," Burke makes the city itself a character in this study of power and justice, murder and mayhem. Once again, Dave Robicheaux is the local homicide detective who tries to sort out crimes and bring evil-doers to justice, as he has done in previous Burke novels. This time, however, we see Robicheaux as a darker, more vengeful investigator, a man willing to do whatever is necessary to bring guilty parties to justice within this notoriously corrupt political and judicial system. His wife has died, his daughter is in college, and without the family support system which previously "humanized" him, he is now a man with nothing to lose.Accompanying Fr. Jimmie Dolan though Toxic Alley, a wetlands area where waste disposal contractors have poisoned the groundwater and sickened dozens of young black children with their illegal dumping, Robicheaux visits the granddaughter of Junior Crudup, a blues singer and guitarist from the 1950s, who disappeared in Angola Penitentiary. Determined to discover what happened to him, Robicheaux also wants to know who is responsible for the recent beating Fr. Dolan, the Catholic priest. While this plot is unfolding, three seventeen-year-old girls die in a car crash, shortly after stopping at an illegal "drive-by daiquiri store." The manager of the store soon shows up dead, and his connections to other, supposedly legitimate local businessmen come under scrutiny. The business of pornography and drugs bring Mafia hitmen into the city, and soon bedlam breaks out, as the local police, county police, state undercover agents, and the FBI all lay claim to investigation. Successfully incorporating a great deal of historical background into the action, Burke shines a spotlight on the criminal activity, showing the reader its scope and giving some perspective on how and why the social problems we observe in the novel came into being. Marauding white street gangs of the 1950s, the systemic sadism of the penitentiary and its Red Hat Gang of the '50s, virulent racism, the rise to power and wealth of men engaged in dishonest businesses, the collusion of police and their reward of lucrative payoffs, the activities of organized crime syndicates, and the ability of those in power to manipulate both the political and legal systems are all shown to be contributing factors in the corruption we observe in these plot lines. Descriptive but sometimes brutal in its action, the novel gives us a darker, more cynical Robicheaux, a man taking dangerous chances in a dangerous city, with seemingly little to lose.
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