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6 of 8 people found the following review helpful:
4.0 out of 5 stars
"He's very unhappy. He'll be better off dead, won't he?", 2 Jan 2006
This classic mystery from 1935 details the complicity of Walter Huff, an insurance agent, and Phyllis Nirdlinger, in the death of Phyllis's husband, one of Huff's insurance clients. Huff has persuaded Nirdlinger to take out an accidental death policy which pays double if his death occurs on a train, and Huff and Phyllis, who become lovers, agree to share the benefits. Planning for every contingency down to the last detail, the two accomplish their goals, but the insurance company does not want to pay off, and Walter's bosses become convinced that the death was either a suicide or a murder. As the investigation becomes more intense, Walter and Phyllis become more and more frantic with worry, especially when Nirdlinger's twenty-year-old daughter and her boyfriend also start to investigate. Filled with twists and turns, the novel's conclusion comes as a complete surprise. This hard-boiled, noir story is entirely plot-based, with cardboard characters who are not believable even within their limited development here. Walter Huff is a realist and sees through Phyllis from the moment he meets her, predicts all aspects of her behavior, and even mocks her in his first person narrative, yet the story depends on his falling in love with her. He is an insurance agent dealing daily with the real world, and he appears to have no financial worries, yet he engages in murder because of his "love" for Phyllis. His murder of Nirdlinger, planned for weeks and executed without remorse, suddenly inspires second thoughts--after the fact. Phyllis proves to be staunch in the face of the murder, even though she said initially that she didn't even dislike her husband--and that it seemed wrong to murder him for money. The clipped dialogue and terse narrative, characteristics Cain shares with Raymond Chandler and Dashiel Hammett, move the action along quickly, but today's reader cannot help but smile at how dated and overly dramatic the story is, its prose self-conscious and, at times, even cute. Still, the story is very well plotted (with the possible exception of the conclusion), and Cain's attention to detail makes the mystery both clever and engaging. Tame by today's standards, this story was a milestone in the growth of the murder mystery, its tour de force ending unforgettable--great fun to read. Mary Whipple
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