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9 of 10 people found the following review helpful:
4.0 out of 5 stars
Twisting, dark, complex; impossible to put down, 16 Aug 2001
By A Customer
Expertly written, Rankin intertwines the plot with the development of the characters, creating a sense of "real time" and suspense often so lacking in other mysteries. The reader is left in as much suspense and doubt as Rebus, waiting for the case to be solved. Even if you suspect who's involved in the crime, the complexity of the plot will surprise you and is tantalisingly held back by Rankin until the final pages. I recommend reading "Knots & Crosses" (also superb) first though as some of this story is referred to in "Hide & Seek".
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5 of 6 people found the following review helpful:
3.0 out of 5 stars
The second Rebus, promotion, and more mature writing, 22 April 2005
The second in the series, with John Rebus now promoted to inspector, here we have a policeman who has grown considerably since his first appearance in "Knots and Crosses". His elevation in rank gives him more clout - he can be more dynamic, initiate more, take firmer control of his own world than he could as a mere sergeant.The changes in Rebus' status are paralleled by Rankin's own growing confidence as a writer. This is a more thoroughly constructed character and a more developed plot than in the first novel. It is a much better book. Rankin returns, however, to a theme of "Knots and Crosses". Edinburgh is one of the great European cities: it's easy to simply imagine it as an elegant, cultured environment, to have difficulties situating a mystery / crime novel in any vein other than some sort of cosy, Festival setting. Rankin sets out from the start to portray Edinburgh as a city with poverty, crime, drugs, and the capacity for debauchery, degradation, and evil which Stevenson sought to explore even before his "Jekyll and Hyde". Rankin gives us two sides of the city. Rebus investigates the death of a drug user in a less than elegant area of the city. Other police officers dismiss the dead man as a 'junkie' who got what was coming to him. Is this one facet of evil - that in death someone can be stripped of any right to dignity or decency simply because they had a drug problem? Rebus is prepared to extend elementary human respect to the 'deceased ... and speculate on whether or not he might have been a 'victim'. As Rebus begins to unravel the events leading up to the death, he's led into Edinburgh's underworld of drugs, rent-boys, even the occult. At the same time, he is being feted by some of the richest and most influential names in Edinburgh society and mixes in circles beyond the ken of most police inspectors. Rebus' investigations will expose links between these two extremes and create a societal model of Jekyll and Hyde. A better work than the first in the series, and one which is not without irony and rye humour - Rebus gets a sidekick in the form of a policeman called Holmes - Rebus as a character is more confident, and more confidently drawn. I would, however, reiterate the advice I gave about the first Rebus title - buy "Rebus: The Early Years", which offers an anthology of the first three Rebus novels ("Knots and Crosses", "Hide and Seek", and "Tooth and Nail"). It's better value, and helps you appreciate the growth and maturation of Rankin's writing.
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12 of 17 people found the following review helpful:
5.0 out of 5 stars
On hunting a modern-day Mr. Hyde., 21 April 2004
He had wanted to update Robert Louis Stevenson's "Dr. Jekyll and Mr. Hyde"for modern times, Ian Rankin writes about his first Inspector Rebus novel,"Knots and Crosses" in the introduction to the 1999 compilation "Rebus:The Early Years," which contains the first three installments of theseries. Oblivious to the mere existence of such a thing as the mysterygenre - or so Rankin says - he was stunned to soon hear his book describedfirst and foremost as a crime novel. But eventually this characterizationprompted him to have a closer look at the work of other mystery writers,and he found that the form suited his purposes just fine; that in fact he"could say everything [he] wanted to say about the world, and still givereaders a pacy, gripping narrative." Bearing in mind the original duality of Jekyll and Hyde, however, Rankin'stales are not dominated by a contrast painted in black and white. Whilethe villains Inspector Rebus faces are certainly every bit as evil asStevenson's Mr. Hyde, Rebus himself is far from a clean-slated "good guy:"Divorced, cynical, hard-drinking and a former member of the SAS, he is abrother in spirit to every noir detective from Dashiell Hammett's SamSpade and Raymond Chandler's Philip Marlowe to Michael Connelly's HarryBosch, James Ellroy's squad of crooked cops and Peter Robinson's AlanBanks. Nor is Rebus's Edinburgh the touristy town of Calton Hill, castleand Summer Festival (although the series has meanwhile sparked real-lifeguided tours to its most famous locations, too) - as befitting a truedetective of his ilk, Rankin's antihero moves primarily in the city's darkand dirty underbelly, which is populated by society's losers and wherethose who have "made it," those with money in their pockets, only show upif they have shady deals to conduct as well. The title of Rankin's second Rebus novel, "Hide and Seek," is an even moreovert play on Robert Louis Stevenson's famous dual character(s) than themere juxtaposition of cop and killer in "Knots and Crosses;" and when thevillain's identity is finally unveiled, the parallels between this bookand Stevenson's become even more obvious. Here, Rebus is on the hunt forthe killer of a junkie whose half-naked body is found in a run-down,deserted building in the Pilmuir housing estates - the worst part of town,notwithstanding a nearby construction project involving high-priced luxurycondominiums - positioned crucifixion-style and near a drawing possiblyhinting at Satanic rituals. And Rebus's only witness seems to be the youngwoman who had been living with the dead man for the last three months andheard him yell "Hide!" before pushing her out of the door, telling her:"They've murdered me;" but who is now more than just a little reluctant tocooperate, taking refuge, instead, behind an almost unbreakablerebel-against-society-facade, complete with peroxide hair, stud earringsand Attitude with a capital "A." While this series had a terrific start already in its first two novels,published in 1987 and 1991, Rebus's character - and Rankin's writing - hasevolved significantly over time. Thus, it is probably wise to read it inthe order of publication. Contrary to the novels he wrote under thepseudonym Jack Harvey, however, and which he views much more critically inhindsight, Ian Rankin overall still seems to be happy with his early Rebusbooks, commenting: "I can't read them without thinking back to my ownearly years, my apprenticeship as a crime writer. Read and enjoy." I havenothing to add to that ...
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